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TARRYTOWN DAILY NEWS, TUESDAY, OCTOBER ■4-, j K 2 I V* V. . 20- '15)1 ' ’ Niglit Club Film At tlie Embassy “ Secrets Of A Secretary” Is Latest At D. F. T®oterviIe Folk 0 Synopsis Of Previous Chapter M a ry D e lla Chubb, 18, p r e t ty, snappy, th e original ex ponent of IT, w o rks in the w a tch shop a n d lives in a Banlc S tr e e t flat with her pa rents. H e r closet g ir l friend is M iriam Bobbin, who also w o rks in the w a tch and clock shop. H a v ing b e e n w a r n e d by M iriam about th e R e d Mask, b r u tal m a s k e d slu g g e r who has been the te r r o r of parking couples in and around W ater- bury, M a ry D e lla goes to m e e t Jo e Speaks, h e r “steady com pany” in front of the post office. B u t Joe fails to show up and, angry, M ary D e lla is crossing t h e stre e t alone when alm o st ru n dow n b y a long yellow roadster. She faints just as the c a r toucnes her. A young m a n In coonskin coat jum p s out hurriedly, puts her in the roadster and sta r ts for a hospital. This young m a n is R o b e rt H e n ley C a lkm a n , 3rd. one of THE Calkm a n s o f Detroit, Yale senior, and just accepted a s a prospective husband by M a r jorie M a rabee who lives on F a s h ionable C r a c k e r Hill, R o b e rt does n o t know w h e re th e hospital is , M a ry D e lla opens one eye and offers to direct him. B u t she mis chievously d ir e c ts, him past the hospital and out K a st Main Street. R o b e rt w a k es u p to th e fact that M a ry D e lla is spoofing him . The conversa tion tu r n s to parking' and pet ting. M a ry D e lla n a m e s thc favorite p a r k in g stations around W a terbury, including the a r c of old highw a y about half w a y to C h e shire off the new C h e shire Road. She points it out to him a few m inutes later and R o b e rt suddenly sw e rves the c a r into the old abandoned road, and abruptly stops. CHAPTER 4—Continued “N e v e r m ind,\ M rs. Chubb called from the kitchen. \Come sit down you two, an d yo u ’ll h e a r it when it’s 7 o ’clock. They c a n ’t bo stop ping all the tim e to please you. Pop.\ M r. Chubb grunted his disgust and took his place at the head of the little table. M rs. Chubb, blow ing and sighing altern a tely to call attention to the difficulties that attend ev e r y m o v e of the over stout, sa t down opposite Mr. Chubb. M a ry D e lla occupied the side, the table being jam m e d to the wall. ' “ S a y grace, P o p ,” said Mrs. Chubb, how in.,' h e r head, a t the sam e tim e cocking an eye tow a rd M a ry D e lla to se e th a t she also bowed hers. M r, Chubb sa i d grace. I t was the sam e grace h e had said since he w as a boy, and fhe entire b r e a k f a s t p r o g r a m w a s identical with every other b r e a k f a s t pro g r a m th a t M a ry D e lla coi^ld re- n-emljer. There liad been times when M a ry D e lla w a s a little sorry for h e r m o ther and father, plodding com p lacently along in th e ir n a r ro w w o rld, one d a y like the day before it, an d th e day after, never an innovation, never the slightest change from their custom a ry way of doing things. B u t this m o rning a new respect surged through h e r young breast for these two w h o w e re plainly satisfied w ith th e ir lot in life, who paid their bills, obeyed the law s, w i'itten an d unw ritten, of the land; were alw a y s ready to serve th e i r neighbors in tim e of need, and attended strictly t o their own business. You know Chubbs: there a r e mil lions of them , good, honest, re liable sim p le foils who see no rea son to pretend tliac things are other th a n w h a t they are. They are the foundation of society, the salt of the earth . M rs. Chubb helped out th c hot cereal. At the sam e tim e she ful filled her self-im p o sed obligation to provide the topic fo r conversa tion. H e r text, as alw a y s , w as \T h e p a p e r says ...” “ T he paper sa y s ,” Mrs. Chubb b-igan, “th a t Supt. M c lean has w o rked out a plan to catch this R e d M a sk fellow .\ “ W h a t’s he going to do?” asked M r. Chubb, who hadn’t seen any thing in the p a p e r but thc bowling scores. “Send C h a rlie DeBischop a lt e r h i m ? ” “ No, h e ’s going to send plain clothes d e tectives out in auto m o b iles an d h a v e them p a r k on roads w h e re the Red M a sk’s been busy. He says . . . w 11 you look a t M a ry D e lla, H e n ry? She’s white as a sheet! Honey, you can ’t go to w o rk feeling like th a t ; you b e tter go b a c k to bed.” “ Don’t b e silly, Mom. I didn’t have a chance t o get on m y m ake up before breakfast. But there is nothing w rong w ith m e ; I ’m feel ing g r e a t .” “ You look i t , ’- g r u n ted M r. Chubb. \B e tter listen to your m o ther, M a ry D e lla.” B u t th is unexpected contribu tion from her usually indifferent husband caused M rs. Chubb to m o d ify h e r ,o r ig in a l suggestion. I t w a s one of h e r theories of life th a t no fath e r should interfere in th e handling of his children ex cep t by specific request from th e m o ther. “ Don’t catch me u p on every w o rd, H e n ry, I f the child’s n o t sick, th e r e 's no sense in h e r stay ing out of the shop . . . I hope you haven’t got anything on for tonight, M ary Della. You ought to go to bed right a f te r supper and catch up on some sleep.” “ I guess I need it, all right, M oiii.” She dabbed h e r lip s with a napkin and got up from the table. “A s far as I c a n see now, I'll follow instructions.\ “W h a t! ” dem a n d ed M rs. Chubb, bristling slightly. But M ary Della was going ou t the living room door to the stairw a y . “D id you h e a r w h a t she said to m e ? ” M rs. Chubb turned on Mr. Chubb. “ She s a id ,” Mr. Chubb answ e red pushing his ch a ir back and reach ing for his h a t, “ she said, ‘yes m a ’m '! . ’ Ho stopped to kiss M rs. Chubb o n the top of her head. “Q u it w o rrying about little things that don't need w o rrying about,” he said, and w e n t out. CHA rTEK 5 When th e 12 o’clock w h is tle blew Miriam caught M ary D e lla’s arm and rushed h e r tow a r d the s t a i r way. “W here to ? ” she asked. “ W h ere can we talk ? ” asked M ary Della. “ I ’v e go t plenty on my chest and I’ve g o t to get it off.” “No trouble ...?•' M iri.un asked suspiciously. “ P lenty,\ replied M a ry Della, \and I don't, moan possibly. W here can we go?” “ We b e tter go to my room. T h e re’s not m u c h to e a t there, but I'll shake up som ething. W e wil! have a little privacy, anyhow.” M iriam ’s fa th e r ran a fa r m out n e a r Wolcott and, except on S a t urday night and Sundays, she oc cupied a very sm a ll and very crowded room w ith a fam ily on South M ain S treet. “ Why, honey, you look like you had been run over by a dum p truck. H e re, p u t on a little color. ’ “ T h a t's all I ’ve been doing since I got u p .\ M a ry D e lla declared, accepting tho com p a c t. \ I m ight a s well s t a r t in now, M iriam. T h e re's a lot to tell and I'll go off the bat if I can’t get a little sym p a thy. I w o n 't blam e you if you don't believe m e because I can lwr.lly believe it myself. B u t it's every b it true... a n d te r r i b le!” And a s they walked down C h e r ry S treet and through M ill and Union Streets to South M ain, M ary D e lla told M iriam th e story, b e ginning with the date with Joe. And M iriam listened, w ith oper. mouth, too stunned to offer m o re than an occasional ejaculation, too deeply .sym p a thetic to protest against what seem e d to h e r an u tter im p o ssibility. “ But you didn't really kiss him ’.’\ Miriam demanded. ‘‘You couldn't M ary D e lla.” ‘‘Of course I kissed him . And I ’d kiss him again, a thousand tim e s again, if I h a d a chance. B u t you w o n 't understand th a t and it's no: im p o rtant right now. W h at I'm telling you now is th a t th e verv instant our lips touched, w«s drew back into opposite corners of th e car, our fists clenched, o u r eyes wide, an d our hearts pounding like h a m m e rs. “ He w a s the flrst to find his voice. ‘My God!’ he cried. 'W h at w a s th a t?' \ I w a s cold all over, M iriam , and w e ak. I'll never forget how weak. “ ‘It w a s a sc r e a m .’ I said, m y voice trem b ling, *a w o m a n 'j scream . . . ’ “ Did you ev e r h e a r a wom an scream in the night, M iriam ? Can you im agine how a w o m a n could scream if sh e thought sh e w a s about to have her throat cu t? You c a n 't im a g ine it, bccausc I could not before. B u t I tell you, i t ’s the m o st awful thing you ever heard; it cuts your b r e a th short and runs up and down your npine and makes you sweat while you are shaking w ith a chill. “ ‘It w a s a w o m a n 's scream ,’ I told him , ‘an d she's probably in th a t other c a r up th e r e .’ “ We couldn’t see th e other c a r , there w a s n ’t any room and the sky I'.v this tiinn was lilai'k with i hauls, It w a s pitch black. B u t I knew the c a r was there becauso I rem e m bered when it had com e in and turned its lights off. ‘‘And then we h e a r d the scream again, M iriam , but this tim e it ended short. “ ‘It’s m u rder, B o b ,’ I w h is pered . . . it w a s the flrst tim e I ’d called him by his nam e and scared as I w a s I got a kick out of saying it . . . ‘I t 's m u r d e r , B o b ,’ I said 'ns sure as heaven, an d th e quick er we g e t out of here . . . ’ ‘‘But I'd sooner said it than 1 Knew w h a t a cow a rd I w a s, b c causc h e w a s opening his dooi and craw ling out. C S S s LOEWr fTATI© I..VST TIM E S TODAY! Janet Gaynor and Charles Farrell in \MERELY M ARY A N N ” Comedy, Cartoon anil News Wcdncs., Thtirs, and Fri. WARNER BAXTER in \T H E S Q U A W M AN” with ljl'l’li VEI-ISZ KLIiANOK IS0A1JDMAN & C HARLES BICKFORD Also Cartoon and News “ ‘I ’m going up there and find out w h a t it’s all about,’ he said quietly. ‘If I don’t com e, back in a few m inutes, you slip out that side of the c a r an d hide in the woods until you can g e t to the highway and stop a c a r . ’ “ My throat was so d r y I could not hardly m a k e a sound. “ ‘Don’t leave m e h e r e ,’ I called a f ter him in a loud w h isper, but he was gone.” “ Blesse M a ry!” said M iriam . “And you there in th e c a r by your self ...” “ T hat was the m o st awful ten m inutes I ev e r spent in my life. M iriam . You can’t describe it. It w a s hell, forty tim e s over! “ T h ere I sat, not m o re than fifty feet from w h at I knew in my h e a r t w a s som e thing terrible, and a fellow I ’d suddenly got to like a whole lot m o re th a n w a s good for m e , gone out to nose around with out so m u ch as a pocketlknife. “ At flrst, I expected every sec ond to h e a r a gun go off, or have som ebody open th e car door and knock m e over the head. But there w a s n 't a sound an d a f te r a little while, it was the silence th a t got m e . I felt like I'd sc r e a m if I had to sit there and wait a m inute longer. (To be continued) Smith, Tiger Figlit Governor Attempting To Spike His Presidential Drive NEW YORK, O c t. 20 (U P ).— T a m m a n y H a ll and form e r G o v e r nor Alfred E. Sm ith are attem p ting to “ spike\ th e P residential cam paign of G o v e rnor F r a n k lin D. Roosevelt, according to the vie? chairm a n of the H o fstadter legis lative com m ittee. The move, A s sem b lym a n H a m il ton P. P o tter, the vice chairm a n , said, is intended a s a ■warning to Roosevelt to quit interfering with T a m m a n y H a ll's \rack e teerin g in terests.” Potter, poltical protege o f W. Iiingsland Macy, R e p u b lican state chairm a n , told th e N a tional Wo m e n ’s Republican Club yesterday th a t “tho m o st conspicuous ex am p le of cynical attitude tow a rd public lite w a s the speech of for m e r Governor Sm ith at the recent T a m m a n y r a lly .” He referred to S m ith’s ap p e a r ance there with Democratic of ficials and lead e r s questioned re cently by Samuel Seabury concern ing th e ir enorm o u s bank deposits explained by one a s m o n e y “ b o r rowed for 3-1 s tarving r e lativ e s .” Coninmn.lci- Kilw.ml i;il.-herp whose wurk m dirooiiiiK the raising of tho sulimei-ced i;, s. Submarine S-.'i'l won I’m- him wnrld-wlile praise and Ilia Distinguished Sorviee .Med al, will :;tko part in a rlr.-imatiz Kimi of \Oil tli *1 lkittiiiii,\ his own stnry of the f.ital submersinpr anil salvas- iiiS' nf the S-.YI, tii Ik 1 pre^en tort over the WABC-Ctilunihi.i mtwurk :n two episode-* diM'ins; th<- \ll of the Sea\ programs un Sunday s, O' t. -ii and Nov. 1, from '.'.an t.i lu I*. •M. Charles Fi'atn is Adams, -c ei clary of tho Navy, will l»r ii,e primiiiil spiaker a: tiie I'omni di die.iU.i-\ exercise . .it the t;o..n:>- \\ .i.-'nn^tnn Bridge, Saturday, i vt. L'-l, rep:.,, .ni: Secretary nf state Jli-ury I,, st.ni- son, who will he imalih t\ I r pic-- ent. X n i i n i i i T l i u m - - , S i - i i ' i - ! 1, , mil tilk tn tl-c . ................ network ..II \ \ V m ! 5!) I ’., 'y i iif.-,-.- t'i yotrlt.” dm,m; t.,e \'..it;.i:i il Stu dent I-’f di rati<-n ii . Ann rii a pr-i- r,-pani al -1 3u I*. M . ,M. mho, n. t. Jit. The arrival of I'ieiiv Pi.- iiiier of l-’r.iliei, in X. w York will bo dost ribed mrr .mi extensive N.i- tinnal Brnide.isijn^ Comp.my net work on Tlnirsd .\ murniiiu. A night club w ithout gangsters is fhe achievem ent of George Abbott, director of \Secrets of a Secretary\ which conics to tlie Embassy The ater tomorrow. M any of those who have Visited Now York and have been taken to night clubs or speakeasies have ex pressed disappointm ent upon find ing th a t the night rendezvous was not w h a t they expected it to be. The trouble of course, was the old movie method of m aking a niglit club look like a sum p tuous gilded palace of sky-scraper proportions w ith regi m ents of bouncing chorines, glass floors and golden-framed m irrors for walls. There was alw ays a lit tle secret office in such a night club, where the fiendish villain held his court between tim es of performing as m a s ter of ceremonies. Shootings, stabliings and rough-house brawls never failed to take place amid the wails and scampering of scared and distraught members of the upper crust who had been sitting calmly all this while at the various tables. But George Abbott^ w h o, like New Yorkers, has been in enough night clubs to know w h at the aver age one looks like, has changed all this. There is a sequence in \Secrets of a Secretary,\ a play about New York society people, which calls for an interior of a night club. Abbott ordered a real one constructed on tho set at i’aram o u n t's New York studio. Tho resultant reality of action is to be seen on tlie screen. The prin cipals in tlie play—Claudette Col bert, Ceoraes Metaxu, Hugh O'Con nell and Hetty Ciarde—dance on a floor th a t is so crowded that danc ing is virtually impossible, a situ a tion which is eharacteris’tic of most Xew York w ine-and-dine joints. Tho choius of tliis place is com posed of emlit qii-ls and an addit ional spoei ilty dancer who doubles in a so n c The m a s ter of ceremon- . ies is a sane, wise-cracking young i fellow who doesn't look lie’s about I to in-di r tlie orchestra t o blnre louder becait.se he expects a shoot- i ir-:. In sln.it, there isn't a gangster in the whole place. The Girl Habit At M u s i c Hall Charlie R u b les Plays In Farce Comedy tMl 1 1 • UurkIp**, the dml! but ( I.• ni<in<■ •» m o di .1 n of . 151 ^ .M.-m «,r .M itiiuft in,\ “ •Her WV'Minj? Xichl.*' ;iinl othoi* «ui'coss- fill t ilkW1'-, is to I'i' tfKam at Uif* .MiM'* H .U Tho,tM' in his first M.n'jri,? I'i ’ tnv, \Tho fliii Ilul'il,’ !<>•!.iy. In i ’ii-. ]>iMiv, -uhiili was m ««lr <! 1 l’.-ir.i'n-Mint's .Ww ViTlv tUiilm, Ii' 1 ■*•- !• - i* fl liniu iy l.nnu-licii hy 1 liis iv<> .*1 r.uv«*r of 5 -';*i*- | fj.«m uii.-.i u;!! ■ m y him to the «>! M-ir.n rM>nahti<‘s. | K’m I I*, ut ll-mri'itiM tho <Iis- j tin* :. »n of >• 11 .> <• uvw has * I- « n i* in*, -i l-v 1 is*! w o r k ;iuil ! p uii-laKiiu 1 ii . Al ;i yo;ithiul i„n hf» :i hi\ i . i ' . u 1 ‘ in ■ S ui Kr.ui' J; h.j • ji\i Jmm«: ho- 11 >r.* \\ 1 < *** 11 ’ 11114 in inns: -:«N in Ni w > i»i‘k .'!'•! •1 1 t!p’ , n.M. Annuls | |.;s hu^iM - i' -m* v. ■•ri* *T. ilihlig j 1 -UiMi 1 ’ aii.l * (J.iiw 11 I \ I III t'.io nf Mlmt ]»!* ‘ Ul’PS Ivlis?* .ip}'« • ■ * • I w . .1 i-M M i’-* as ' Lt t '!.*:» ii, I!'\ .laiii.s ai.-l • ri! \Y!i**n 1 ! i' . I th- ;> 11 l I-1' ’ho <!:• !’•'%♦•>) . • :>• •• .• i'i * * I- ’ ,* ’n- 11 Of j lin* ]’;(■>:•.' :is |;: -l (■Ik,. , wi 11 ! i \ • > 1 * «-l' I: Im .1 n.h* nros 1 1 \« . ■■ u tn * i . A 1 *• »*i* live ! ’i. i- :• .. !»«;:.iu, ,i ri • The M.aily I,. ;»i wiii'U iu- ' h-'iol ha! h«'ii* Ii«*i< nt hit.iflnr. ■ IJo w 1 • p' 1 i'i «n a Inn?; tm n ii*n- • t i . i - ' .t. 1 • « t ’ t n i t i n * ' .**;>!« »i d i t l \\ 111 1 . ..u l i ilnpi ; r- ’li ill'lls j w.-| ill \K*« \Lnni.-t* and : \I I >>.* Ani>'ii.. J,.livers.\ Iu “ ‘I • *' < mi I 1 l.thi!uhi- !i i.s I 1 • 1 : it -1 ><*: 1 i.r 1 «■ u it it tun* I ' ugh I 1 ii\ -an- tjU!\ 0-1 tin* 1 -.1 ..ing , 1 <•••» \• ::- pi« «i< - • '•‘•.t, K • < . 1 ii 1 1 i 1 1 : .!•” 1 ; i.Ml .• *• 1 w hl'ii hau mil play inf .*i*^ i*.i<l> | t.i iC lit j Ih* i' tJf wt.ilihy ji'ium h i*'.ol'ir, . 1 nu 1 . t <1 a. mi, ii 1 (S.i\ < 'un- l :\ ). 'I'm* l•; 1 t lh.it <*ii.n-lir N so n; * :•> «*w:y ^iil l.< nn't-. 1.1 ilu*s ii iJilli- ul: to krep th*' mu i^i-niont iiri»ii «ii'-''>!uti\ti. Anions tia* gliis | \\!i-i 1 ,i-M rhirli'-'s waxwinl af* I 1 '< ’.'''is is t un. 11.1 (ii‘\.i, tho 1 'ftnious U 5 u i T e / \ $ E 1’ S i m p s o n , C w h o m a s t h e u a r s e s t f e e t in t h e w h o l e t o w n s h i p ) , o f t e n g e t s a f r e e r i p e L A T E IN TH E EV E N IN G . ________ ^ > > V V R A D I O P R O G R A M S FEATURED TONIGHT 6:00—\Radio on A irerift,” Captain Kiel, Radio Officer Do-X—WGBS. 6:25—‘‘Prosperity,’’ Mr*. Vin cent Astor—WABC. 7:45— “Back of the new* in Washington” William Hard —WJZ 8:00—Fourth Anniversary Pro gram speaker Norman Thomas—WEVD- 8:00—Voorhees Orchestra; Lois Bennett. soprano and others—WJZ, 8:00—Frank Crumit and Julia Sanderson, songs—WEAF 9:00—Symphony Orchestra; Alice Mock, soprano— WJZ. 9:00—Concert Orchestra — WEAF 9:30—Symphony Orchestra; \George Eastman,\ Person ality sketch—WJZ 9:30—Symphony O rchestra;— Eddy Brown, violin—WOR. 10:00—Musical Memories—WJZ 12:00—Connecticut Yankees Or chestra—W EAF. R . C A . S O U N D S Y S T E M - T H E B E S T ! T O N IG H T ! TO N IG H T ! Family Night Ai, 'NEVER T W A I N , _________________ W / m i ^ E E T ' All Seats — 20 W E D NESDAY Si TH U R S D A Y — 2 BIG FEATURES! LESLIE HOW ARD C O N C H ITA M ONTENEGRO THREE_ ROGUES itm VICTOR McLAiGliEN pox Mvitr 0 0 NK eicTirn* 1ft£ £ c A Big Double Show at a Single Price — 15c and 30c il: ml ii:uj 6:3H ': tm—' r:30 R: 1 fi- St 33- TODAY WNYC -Tim e; Aviation Report. -Open .School W eek—Robert Simon. -C h a rlotte Jaeger, Songs. -Italian Lessons — Prof. V. II. H c r l i t z . ’ o in iiiemluliire dodo n o, Simp:;--. llmv tn Reduce Safely—Dr. John Oherwagor. Time; Police Alarms. ■New Yoik Speech — Robert Sonkin. •County Mayo Trio. T h e R o m a n c e o f B o o k s — W. O r t o n Tew son . dancer of “Three’s A Crowd,” who here m akes her first appearance in the talkies. Donald .Meek, a favurre character actor of stage and screen, plays the part of Charlie's m anservant. The pompons liiollier-in-law-to-be is en acted hy M argaret Dumont—who was last seen as the hedevillcd host ess for the •'Animal Crackers\ and I “Cocoanuts\ Marx I’.r.ithers. S:30—Sanitation Band. WMCA 5:00—Dance O rchestra; Jerry So- low, Tenor. 5:30—The Puzzle Man. 5:35—The H e a rt Breaker. .1:45—Musiciil Program . 9:30—Firem en's Program. 10:00—Success Interview W ith Dr. W E A F 5:00— The hady Next Door. 5:30—Sketch—W h at H appened to Jane. 5:45—M ountaineers Music. 6:00—Kmpire Room O rchestra. 6:30—Vaughn de Leath, Contralto. 6:45—Sketch—Stebhlns Boys. 7:00—Federation Hymn Sing. 7:30—To Be Announced. 7:45—Sketch—The Goldbergs. S:u0—Ju lia Sanderson and Frank Cruinlt, Songs. 8:30—Sketch—Snovey Bey of Sa lonika, 9:00—Concert O rchestra, lOrno Ra- pee, Conductor. 9:30—Voorhees O rchestra- Mabel Jackson. Soprano; K a r I e Spicer, Baritone. 10:00—Rolfo O rchestra; Weber and Fields. 6:15—Plano Duo; Muriel Pollock and Vee Law n h u rst; Curt Peterson, Haritone. :30—Dance O rchestra. :45—Topics in B rief—L o w e 1 1 Thomas. :00—Amos ’n’ Andy—Sketch. :15—Dance O rchestra. :30—Phil Cook, Songs. :45—Back of the News in W ash ington—W illiam H a rd. ; 00—Voorhees’ O r c h e s tra; Lois Bennett, Soprano; Mary Hopple, Contralto; Male Quartet. :30—Male Q u a rtet; String E n semble. ;45— S isters of the Skillet. .00—Dum o n t’s O r c h e s tr a ; Alice Mock, Soprano; R o b e rt Ringling, B a ritone; Mixed Chorus. .30—George E a s tm a n —P e r son- ality Sketch; Bourdon's Orchestra. i;00—Old S tager’s M em o ries. WPCH 5.00—The Old Cj nic 5:13—Rert Howell. Kents. 5.30— Melo-Ait Q u artet 5.45—Captain Jo e s stol-ie-> WOR 5:00—W inter's O rchestra. 5:2-1—Beach Talk. 5:29—Beauty Talk. 5:44—Aunt B e tty’s Toy Shop. 6:00—Uncle Don. 6:30—Sports Talk. 6:45—F rank an d Flo, Songs. 7:00—Hebrew M elodies. 7:1S—So Tvhis I s Love—Sketch. 7 : 3 0 - F am o u s B e auties of History. | 7:45—The Eligible B achelor— Sketch. 8:00—Dixie Ensem b le. 8:30—Musical Chronicles. 9:00—Y e ast Kids. 9:15—M ale Q u a rtet. 9:30—E d d y Brown. Violin; Sym phony O rchestra. 10 15—The Jolly Russians. WJZ ri.nn—The R r e m a n Town Mu sicians—Skit. 5.30—Al and P e te, Songs. 5.45-L it t le Orphan Annie—Skit, fi 00 Raising Junior—Sketch. WABC r>:on—Frank II..ss, s nips 5:15 — lilt* : \ i- \ vi’ u Uem'Sia ii.Kkus by It.d. Taphnger 5:311— S iltv S.i:a 3:45—Lnwu ()ii hestra. H.i'ii — llhj thin King-. C: L’ ii— t'n e i n p h ' j m e n t talk, f-..30— C h a r l i e a n d O s i a i - 6-(3— l.ilrd ami Y ash—sketch 7.\\ — Ilitii; Cinsliv, soups. 7:13—lieis and Dunn, soims 7.3ii—Kaltenhnrn Edits X'.'.i- News 7-13—Morton lJown<-\, tenoi. Iicn.ud’s 1 *i*i hestra. S.nfl—Prj or’s Hand S:I5—Abe L\ 11 an-- T’.aud with tilec Chit.. K: ;i‘»—l’r* nit if r Ail \ en: ’ire1— ‘•ketch S,4'i—T-.ii. - Walt. 1 Win 1.(11: Mor ton lvm r.r v, teiini. 9 no—Berlin s Or, hestra. Romandcfll South Sea Movie B e a u t i f u l ‘S e e t i i c ^ i Those who love romancft/ffJIfL dash of adventure will undo^tjiii be fascinated witll the jtetroi|rolL wyn-Mayor South Sea Isiahjjsfiir*^ ture, -‘Never the Twain :~J. Meet,” which is the family ,nl(l traction this evening a t Tarrytown Strand Theatejv Adapted from tho story B. Kyne, the picture has tang of the islands. W, S'.};J5|liSa Dyke, the director ' who ...... -'W hite Shadows in th®, Seas\ and \The P a g a n ’-’ in\! has enhanced the color and part due to his intim ate knbyW®||(|tS of tho ways of the Polyfles'i#{^’;?;.|^l Concliita Montenegro,, .thi)'. Spanish dancer recently America, was almost creatod part of Tamea, th e South S®* siren who, by her exotic native charm , so blinds of a w ealthy American family he gives up his home, people u d ] business to follow h e r to leal island. _ Looks tlie P a r t ' t- H e r sparkling black eyM,. abundance of black hair,’ | complexion and sinuous coupled with her inborn act, m ake her seem a real’ the native setting. She is the downfall «C Pritchard, ably played, by Howard, who made such « \ tion In both the stag;e..and MTMSi versions of \Outward Bound. j sensual charm drives him aMnoift t » ; | m adness and his portcv.yAl Ot t h f l slow b u t sure degeneration Of th* [ white m an In th e island* -Ik lent. In “N e v er the Twain Meet” is portrayed th * struggle of tlie races that I mortal the words, \east i» « u t west is west, b u t never t h * shall m eet.’’ ■ m 11:10—W h itriian-M a rston Trio, 1 1 : 20 —Reaching the other flin t '. tenths—Mrs. L. E. d«. F o r«atJ 11:45—Tho Jew ish W oman In tl»» Jew ish Center—M„ MtldwiM Fertig. . 11:55—Infantile Paralysis— Dr. John Oberwagrer. ' ' ■ WMCA S:00—Phantom organist. S:13—IJaisj' and Bob. S:3e—Organ Reveille SMS—Gym Class 9 : 00 —E liott Jaffe, songs. 9:13—Food talk. 9:30—Modern Living; WEAF 6 43— Health Exercises 8:00—Gene and Glenn. 8:15—M orning Devotion*. 8:30—Cheerio. . . r ' 9:00—Morning Glee Club. 9:15—H e alth Talk—Dr. R o y a l S. Copeland. 9:30 —Flying F ingers. . -s 9.45—Food Talk. WOR 6.45 A. M. —Gym Classe* S.00—Al Woods, Songs 8:15—Mr. and M rs. R e a d e r 8:30—M a rtha M anning 5.45 -M u sical Novelettes 9:00 - M iss C a th’rirte ’n’ Calliopt* ; 9.30—Cookery Talk J WJZ 7.30 A. M .—A Sons for Today 7.45—Jolly Bill and Jane S.00 - L in d t Trio 8:15—Sunbirds Trio S:30—Hi Lo Singers; L a r r y Lap- sen, O rgan R io Food Talk 9.00— The Laugh Club TOMORROW WNYC ll:(\i—Tune :i\-a:.on lepurt. I.i a i'.* ill Miniature. 11 .O',- I let .ul Wed Pt ii-v s l.i- W l’CH 12 00 M -Odds and Ends 12.30 Helen Medlin. Songs 1:00—Luncheon Music WABC 7:30 A. M.—O rgan RSvSilli 8:00—M orning Devotions 8 la Music, News, H u m o r 8 -la - Irene B e asley, Songs 9 oil The Com m u ters M u s ic H a ll T h e a t r e R K 0 E M B A S S Y Last Times Tod.iv! JA C K H O L T in \F IFT Y FA T H O M S DEEP” TODAY! He just couldn’t resist the fair sex — which was fair enough until his fiancee found it out — then the fun started! W ednesday and Thursday Thrills of thc gridiron and army post. J t a r r t t u j C H A R L I E R U G G L E * TOM ORROW A N D TH U R S D A Y ! Clark Gable, Madge Evans and Ernest Torrence in “SPORTING BLOOD” AN D LAUREL A N D H A R D Y COMEDY Friday and Saturday — JO A N CRAWFORD in \T H IS MODERN AGE.” CO M IN G SO O N — \C a u g h t Plastered,” \Secrets of A Sec- retary,” \Personal Maid>” ”50 Fathom* Deep.” __________________ 2 F e a tu r e s Inside story of rich play-world CLAUDETTE COLBERT S f C R f T S OF A
