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A Long Island Sunune,r of: Dance, Drama, Music & Art. $1,225 .... $1,475 Swimming, too. America's preeminent music and art day camp is on 250 woodland acres in Huntington: 77 award-winning studios and theaters where you'll study with New York's leading professionals. Major in one art, minor in another, and attend concerts by celebrated artists. . Usdan is a non-profit day center. Registration fe,es and transportation are extra. Tuition aid is available to qualitled families. College credit is offered through New York University. . Eight unforgettable weeks: The summer of a lifetime! PROGRAMS AVAILABLE: Art: Painting, sculpture, ceramics, video, computer graphics, photography, jewelry. Dance: Ballet, modern, jazz and tap. Music: Orchestra, band, chorus, jazz studies, piano. Creative Writing, Theater Arts: Drama, musical, technical theater. Swimming, Sports. Usdan Center for the Creative and Performing Arts Call5l6-724-0l36 for a free brochure The Center admits students of any race. color and nat1onal or elhmc ong1n A The off1c1al p1ano 1S the Yamaha An agency of UJA·Federat1on V .. · FOCUS·ON: SAFETY ON THE SOUND ... FOR POWER AND SAILBOAT OPERATORS NORTH SHORE UNIVERSITY HOSPITAL MANHASSET CAMPUS RUST AUDITORIUM Wednesday, May 25, 1994 6:30 • 10:00 P.M. Emergency First Aid Care Boat/Crew Safety Preparation Planning a Safe Passage U.S. Coast Guard Auxiliary Services Exhibits West Marine Safety Equipment Demonstration Lite Supper Included Free Drawing on Selected Safety Equipment Fees: $25 per person $40 per couple Family Rates Available For registration information call: Department of Health Education/Community Affairs (516) 926-8831 NORTH SHORE UNIVERSITY HOSPITAL 300 COMMUNITY DRIVE, MANHASSET, NEW YORK 11030 4 T~eNort_~por~ Joumal•May 13, 1994 'Please Carve Me A :Memory, Woodcarver On May 14th and 15th · the St. James General · Store wiH host a wood- .· carving exhibition, fea- ! tuting · carvers f.rom 1 Queens to Montauk. On 'those days, wood- ; carvers will gather at the ·store to exhibit and demonstrate this age- . less craft The clubs will have on display such items as birds, ducks, caricatures, .sculptures,. · animals and religious ar- ticles - aH o·f which have been hand-carved. Different techniques - such as 3-D carv- ing, woodburning, chip carving, decorative carving and bas relief carving - will be demonstrated. The Long Island Woodcarvers, an organi- zation that has been in existence for twenty years, will be represent- ed at the exhibit. Other groups include the Brookhaven Wood- Wildlife, sculptures, caricatures and other woodcarvings will be on display at the St. James General Store from 11- 4 p.m. next weekend - Including tills swan by ·oarrell De- Vaul. Carvers from throughout the Long Island region will be on hand to give demonstrations of their work. carvers Club, the Suffolk County Wood- carvers Guild, the Greater New York Woodcarvers, the South Shore Wild- fowlers. the North Shore Wildfowlers and the Long Island Wildfowl Carvers. Also included in the festivities will • be Jim Devlin and Friends, perform- ing Dixieland Music on Saturday, May 14from 12-2. The St. James General Store is one ; of the oldest continually operating General Stores in the United States, and is owned by the county and ad- ministered as an Historic Trust Land- mark. The store is operated by Friends for Long Island's Heritage, a non-profit educational organization which provides citizen support for the museums and historic sites owned by Nassau and Suffolk Counties. It is lo- cated at 516 Moriches Road, just north of Route 25a in St. James. For information, call 862-8333. To Vienna, With Ridotto The year is 1809, and the Viennese have woken up to a bitter truth: their city is in the hands of Napoleon. An impresario by the name of Casti laments his fate; most of his patrons are gone, and his city is in chaos. Then suddenly, a strange young man appears, who offers to bring change to the situation. Along the way there is a tempestuous lady by the name of Madame Goldenprahl, and a hopeful and patriotic cleaning lady. What's all this? The stuff of opera? You guessed it. It's Wolfgang Amadeus Mozart's seldom performed opera, \The Impresario.\ Newly adapted from the original libretto, and fully staged and accompanied by a chamber orchestra, courtesy of Ridot- to. And it's coming May 15, 4 p.m. at the Old First Church in Huntington. The program, which amounts to a revival of the venerable 18th century art of opera \pasticcio is right in line with Ridotto's unique approach to concerts. Set in Vienna in 1809 under French occupation, this witty new En- glish adaptation blends arias from other Mozart composition into the original Mozart score, reviving a \chamber opera\ tradition that flour- ished in Europe in the 18th century. The cast includes baritone Sean Barker as the Impresario, tenor Chris- tian Fletcher as Buff, Laure Meloy as Madame Goldenprahl, and Janice Weir as the powerfully vocalizing Miss Sil- berklang. Richard Westerfield, assistant conductor of the New York Philharmon- ic, leads the Ridotto Chamber Ensem- ble in the orchestration by Alan Arnold. The name Ridotto, regular readers of this paper will recall, dates back to 17th century Venice. The \ridotto\ was a space adjacent to the theater, where visitors from all levels of society (often masqued) engaged in discussions on art, fashion, literature, and other sub- jects of common interest. The unusual exchange of ideas taking place in the historic ridotti caused suspicion with the authorities, and they were ordered closed in the mid-18th century. Margaretha Maimone revived the notion first in her native Netherlands, and later here on Long Island. In her resurrected Ridotto, music is com- bined carefully to create a balanced program of concerts with a touch of theater. \The concert programs offer a variety of repertoire that is not limit- . ed to one ensemble nor to one style period,\ she notes. \Although music is the central fo.rce of each perfor- mance, programs often take their in- spiration from a broad cultural theme rather than a composer or a style pe- riod. This formula thus allows for a (Continued on page 14) .r l t I