{ title: 'The people's journal. (Greenwich, N.Y.) 1868-1896, November 28, 1895, Page 14, Image 14', download_links: [ { link: 'http://www.loc.gov/rss/ndnp/ndnp.xml', label: 'application/rss+xml', meta: 'News about NYS Historic Newspapers - RSS Feed', }, { link: '/lccn/sn83031217/1895-11-28/ed-1/seq-14/png/', label: 'image/png', meta: '', }, { link: '/lccn/sn83031217/1895-11-28/ed-1/seq-14.pdf', label: 'application/pdf', meta: '', }, { link: '/lccn/sn83031217/1895-11-28/ed-1/seq-14/ocr.xml', label: 'application/xml', meta: '', }, { link: '/lccn/sn83031217/1895-11-28/ed-1/seq-14/ocr.txt', label: 'text/plain', meta: '', }, ] }
Image provided by: Greenwich Free Library
I ... ' EDITED FOR. THIS OCCASION, BY MRS, E. M. ESTES. '.l'o do this we must once more return of the Italian. It was during the sucoess. In 1761 he was invited to I N to the '-ncients. e!lrly part of the eighteenth century assume the directorship of the pri- AT U RE AND ART, REC I PBS· The I:!IU'P Is the first of all mstru- that Germa.Q op&ra took root and be- va.te orQb&stra. of Prince Ester hazy What is art? \'MLEl' BOUFFL E, WITH ments -mentioned in history, and this ¥an to grow;\ the prime mover be- \The Magnificent. For years Hay~ ~;hellettipg olese to \' wa.a dla\lovered: to have been in us& mg Reinhard Keiser. He was edn- den lived in thi~ vicinity scarcely .,atnre'o heart. (For Dessert ) in Egypt somewhere about 4000 B. (j, cated a.t the Thomas school at Leip· every going away, and it wa!l here A And.forming of herim'\\'·tal purpose Beat the wh1tes and ) ,,, t,; ot folU and in lbe eonntriea bordering on the s!e. His first work was a. pastoral that ha evolved a sn.ecession of works oousclons part. 'Iheo. Dore. 1 · dd 1 d Nile where the \Ma.terlal Prosperity\ Iswene for the Court of Brunswick. fl•oJll operas to marionette music eggs separat.e y, a '\ 1 11 IIJl «l!l.e was most appa.rent: It was very His operas, however, subsided into syiUphoniea, concertos, songs and Where, out.~ide of the grandeur tea,poonful of sifted ftour. :Pia.celn ~rude in its ooJ~Btruotion, having, it fe.rce and the only real merit attribu- I masses. There is sc~troely any music and beauty of nature, is tt·ue art to omltJt pan a VHry swall piece ot but.. IS stated, not wore than flye or seven ted to him was originality. That the wbioh he did not make while at the tar, have pan very hot e.nd e.very stJ:ings .. ''l'bey were, however, highly developlllent of the voioe is due to oourt of Ester hazy. Hayden was be found? It is the knowledge a~:~d f d i h b b tt colored and C)rna.mented. During the Instrument is proven by the fact most clever in his trea.tment of also the love of nature, that awakPns portion ° it corere w t t e ll er the latter· part of the eighteenth that bef()re this it (the instrument) the1ues, often saying that \id.ea\ did the slumbering talent. When one to prevent the eggs adhering to Its' e&ntp~.;y, one Broce, an En~lish trav- had reached a. degree almost border- not ruatter at all, \treatment is every· goes ont into the \'orld of wood and surface. !>our the beaten wl:tltea ltl· eler disqovered, ln wiiat afterward ing on that of to-day. The form of thing.\ He gave the sonata its pres- h'll fi to the other ingredientsa.ndcarefull3' ,proved to be the tomb of Rameses the vloli.n bad diseard<ld its crude a.p-J' ent form. Among his works are 1 ' eld and streaiil, and sees mix with SJ>OOn, adding tw<> table· III. at Bilan :El Monlouk, harps of pearance and <>ne of sywetrv had \The Last Seven Words,'' his master- and understands the grand blending twenty-one strings used about 1800 taken Its place and had reached piece, the \Creation 11 \On Mighty of color and gradation, it arouses a spoonsfnls of sugar. Put q ulekly into B. C. Il we oould, with our modern nearly all of ita tonal powers. The ! Pens, 11 and many others. In every desire to be able to paint or sketch a heated pan and brown. Tarn one· Ideas of and conceptions for musio bass viol hail ma.de ita a.ppearanoe I line of Haydon's muslo is shown a 1 half over thu other wbeD done 1 have heard the players of thea~ andtheorganhadreaoheditamatnr- pureob\ildllkespirit si.npleand un- andsC~ape. To study natnre is t() h 1 harps, dQu~tless we woald have ques- ity. The origin of this latter instru- aft'eeted yet deep and true. study the greatest of all teacher!', sprinkle. sugiLr ()Ver t e top, P aBe Oll tioned the oft repeated saying that mentis hard to as!Jertaln. We have I 'fo do jo1sti\e to Beethun'ln Is be- whose lesson is more than allfe-t!ute, hot platter, pour five tabl~SJlDODelQl \mus!u path oharms to sooth the traues of some sort of w!od instrument yond our power. He and his works and whose greatest principle is, \be of ruw over the om let, set It on il~e savage beast,\ so crude were the per- before the Christian era. We do know are so well knowp as to make what d it at th table burning formances. that It was In use about the latter wight here be said but a repitition true to nature. and you will always • an Rerve e · With the Greeks, the lyre was their pa.rt of the eighth and early part of of what others have said. He was be true to the .highest aim of .t.tt.\ This is very nice for Thanksgiving instrument, first, last and always. tb~ ninth. 6entnries and had beoome born in the little town Bonn, on the Some of tloe picture~.< of the old school or Christmas dinners. In the times of Homer and He 6 iod qutte common in England. Na.tnrally Rhine in 1770 and died at Vienna in seem to be sadly lacking in this vital FINE BREAD PUDDLISG. this instrument, then called the phor- these were crude, the keys being 1827. Beethoven will always be oon- 1 niux and later tho cithora bad but Vory wide and instead of the black s!dored before all wasters as a tone qua !ty, as, for in•tanoe:-Iba.veseen v k 1 h h 1 8 t t d '· Two cups of fine bread ~rmml>s six strings and no flpger board, eon- eys represent ug t e s arps and poet g !ted witlJ. the faoalty of mak- a nnse B n Y uy an old school mas- sequently could have no more notes fiats white ones served this. pn. l'P. ·. o.se, !ng bearers feel a~ he felt and see as ter, whose work was held\\' a crlter- softened in water, on& egg, c;ne Cllp than strings. Can we wonder that in 1495 pedals were added, But the he saw. He is called one of the four ion by John Ruskin, in wbloh the of wolass~>a, fonr full tablespoons tlte musioi11.ns of that day lost inter- btrthday of opAra found t)ll:j ·.organ gre11t souls of th<l highest order of 1 f of sifted ftour, one teaspoon ot so• · est in the art? Tile sevare and lofty with ne,arly the variecy 01 to11e it DO\V genious Dante, Sb .. kespeare, Michael aws 0 nature seem to have been, in h • t' th h 1 '- d A. 1 d B a way 1 d tb id 1 f da., two of cre!Lm of tartar, clove2! 1 uonceptiuns of the old Greek poets ~~~ ·•0 e meo au am wa,. ru e, nge o, an Ptltho;·en. These then , gnore , ana e eo. o the upon the tonal side of the art, were 'l'lle l>eglnning of instrument~.~.! ~ere the IUasters who devoted their artist was allowed to superoede tbe a'l~pioe, cinnamon each CHJe tea-) ' however, the foundation for the form~ muslo apart from voual, !n its mu•t l!ves for the advancement and en- real. It Is natural law, that the first spo m. One lull cup of st;on~' ' of the opera of to-day, whi 6 b of a.dva.ne•d form is found to be the l11t hghtenwent of those who were to 1 f 1 r,.isins, one cup of currants and ctt~ oourse have been advanced as far as ter part of the sh:te<\ntb ••entnry a 11 1 !oliC>w, . P ana 0 00 01 ' to strike the eye In a the mud~rn mind has been able to the honor for !lrst pluce In tb;, Tbe 01nteenth century found opera sunset, is of red or crimson hue, the ron mixed to snit your taste. Steam conoeive, and a~rain musical theory branch Is given to Andrf'as Gabri··li In a good state of developement reason ueing that we look at a. sun- three fnll hours, serve hot with a upon the ae5thetic side, is indebted He bad amonll his puvils the Drl'> which has to-day reached an extra- set from s.n alwost parallel point of rl6h sanae, flavored with leiilon or entirely to the Greeks. den composer Leo Hassler. Th•• 'ordinary d\gr••· Richard Wagner, i wine. We turn now to India., for It Is here plauoforto of the day, the \olELvlceru·i the greattlst. master of till operas, vis on, and the atwosphare bel.ng that that wonderful instrument, that balo\ as tt1e Itallaus called it bad whose name IS on the lips of everv- denser and hott..r near the surfa.ce nearest the human voice, the violin been con•lderably im)•roved. Zar I one, whose worl<s are worshipped of the earth, causes this eff~ot. The SAUCE SUITED TO ANY FRUI!t' has 1ts origin. In India the a.rt of iu: llno llad demonstrated the pr~sent and play•d by the whole musical next higher plane or color is the yel· PUDDING. olting vibrations of strings by means scale and prepared the ground for unlv.erse, the wost remarkable of all low, which is due to the clearer at- One-half cup of butter and one ou.p of a bow was first discovered. The the coming o! the geniuses who mm1cia.ns, was born In Lips!cln 1818. f a.d th i h th • f ti In d mosphere ·and s t tb d o sugar with heap!n\ teaspo()nfnl of date !a entirely unknown. The most w e e e g tee nth century memor- v son o a po ce super ten ent. , o on up o e eep ,., primitive violin, called the ravanac- able ILS tbe blossoming time I)! musl· It was Wagner who originated and blue directly above us. It was the flour beaten to a cream. To this cion, the Ceylonese claim to have 6alart. mastered the effort In opera to lm- entlre absence of this natural law in add the yolks of two eggs bea.te-JJ. been invented by one of their kings To aharacterlze simply and alea.r- prove the delivery of the text and to th 1 t !lnobt, and one onp and a half of boll· b I h bring it Into closer union with the e P c ure referred to, that attraoted ,., a. out 5000 B. C. It looked very Y t e developement which took. 1 t J t b f [ ... 1 much like a croquet wa.llet with two place dorln~t the eighteenth century orcb.estra.; and to develope the music my attention. ng wa er. us e ore serv 3lgW ... &ll keys running through the handle at ta a most d!flloult task necessita.tint; !rom n. dramatic standrolnt excln- Art, like nature, Is a process of sauoe has boiled up once f.,.~ a JllD· about the place the hand would grasp too much time and space for this ar· olvoly led to the vocal form known plowing, plantJOg and r<\aping. First, ment. pour In bE!aten whites lea.vfng It n.nd strings from tbese keys to the tlole. Tbe blossoming of music was as ·'arloso,\ mPaQing endless melody t'·e 1 1 r b 1 h\ some !or the top. FJ•vor to t•ste. h a.d In wbloh tlte successive par 1 'oda fol- \ Pow ng o ran, w wh is the un- Q w e of the mallet. The bow re- too manifold, too dJ versified and we 1 sembled that used by the Indian of shall oot attempt it, but in its stead, low each other to the end of the earning o! doubtful knowledge, aa- the continent years ago. They also shall try and give the reader a brief pa.ra,graph without a foil stop at any qulred possibly bv too closely folio w- N APOLIANB. had ma.uy forms of guitar, this being sketch o! the oentra.l figures of the point until the end of the sense is log the wlsta.kes of others, or m()re In quick oven bake puff p11.11te, Olat In fact the national instrument known period sbowi~ the work each •o· rea~hed, thus lmprovinll' the Italian I 1 1 kl Into' pieces five loo'·es bv tb~·. P~·t b I . ~ wetbod. He studied must~ while a P a. 0 V spoa ng-copying. Then ,. ·~\ - as t e \vina \ Here we find a firmer comp tsbed. lrst Bach and Han del ~ h t h 1 h h ] and more rapid progress. There was after them Hayden and the great boy but his one ambition was to bo· comes t e planting period, when the oget er w t fruit, c OC() ILte, or a. curious developement of the mnsl- wast~r Beethoven. John Sebastian oome a poet. He translated the cottrse of study Ia bOL•eu upon natar- jelly. Frost and add blancb.ed fol. oal drama. In this country as far bo.ok Baob was born at Eisenll.(lbln Prussia. twelve books of •he Odyssey, stndl~d a\ law, and the htww J• dge gained wonds. as 800 B. C. In which certain traits 0 • in 1685 aud died at Leipsic in 1750 Shakespeare's plays, made a tra.nsla- th b 1 tb ' It i · · tlon o! Romeo's soliloquy •nd began ere Y s oeratiJ> to l•ave the ele- e modern opera oon be traced. s satd and truly so, that thls great u Thus we have the instruments most man exercised more Influence upon to compose music for tt. In 1830 he menta of true art. La.tly oomes the extensively used before and up to the the dovelopament of music than anv finished his first opera, \The Love reaping, wbereby we know that the Christian era. We hay» uow reached other composer who bas ever lived. Vet().\ His composition \The Fly- true thluklng publlc will aoc .. pt o-ur the p~rlod of \modern music,\ and It It was he who carried the \fugue\ lng Dutahma.n\ was commenced k I d i to tb whlle on board a sailing vessel bound wor 8.8 the outoowtl or natural ilL IV s ur ng tbis period t bo.t the art has o farther point In the direction 1 so steadily advanced and bas assumed of freedom and sponta.inety which it fr01u Rija. to London over the Bla6lt n art. 'l'here are certain art aud the great proportions of the present has ever reacned. Bach rendered Sea. In 1843 his Rienzi was a.oceptPd painting ula.sses, In whiu\ the melh· time. 'Tis. here that the develop- his oowpositions lndis,Pensible to at Dresden and was perforo;led with od of instruction is to put a. colored went of the human voice benan to thorough masterv fn three dltferent l(reo.t success and \Wagner was \al!<>d l'tb h 1 I h \' 1 f there as oonductor. Hero be aiM 1 ograp n front u! the student rece vet e attention and oultivation prov noes o musical etfort. The 0 \ f wblch before bad seewed to be but a modern art of violin playing rests out Tannha.user. Be read or the purpose of m11king a. direct secondary consideration. Could mas- partly on his sonatas for violin solo the Legends and conceived copy. 'l'ttls seems to be a sure way ters of ancient muslo have been and contain everything that belongs the Idea. of an opera upon a subjt'ct of demora.!lzJng a. true artistic nature. APPLE TRUFFLE. Six tart aptJIE!s, stew and strain through Gullender, sweeten atut flo. vor to taste. .Make custar(] <>f tirO e,gs, one pint of milk, ()ne-bo.lf OIIJI of white sugo.r, Gook In po.:il stand.ID:B In kettle of boiling water. Whe:n apples are cold and stiff, polll' oil& ta.rd over them, and cover thlokly with whipped cream. This Dtall:.es & lovely dessl'rt for a. summer dinner. brought under the •pall of the traly to the ola.ssi()ll.l, Bach is the founda.- oonueoted with the \Holy Grall \ divine voloell Of Patti, Calve, Eames, tion in ..,rgan playing. I oa.n safely and In March 1R48 completed L;,- The lithographer's color• may not Melba and others, words would not say that nine· tenths of orgaJl playing heDII;Till. Wat!••~r·. a.rt tbeor!ets bad be corrPot, and there may ue fa.ul te COFFEE CA.KE. express their feelings, when the en· Is comprised In the Bach works. His by this time b .. · '' 11 \ pretty well de- In the dru.wlng of the study, which Sugar, butter, coffee, molasl!eB, thuslasm of the masses of this en· Influence bas also been great In piano fined. Ho hrul •·xp!ored the three th t 1 d h II bt · d · 1 1 Co ureo.t arts, m \loll', l\'~tr)' o.nd drama.. e on ra ne eye of the student does one· alf oup eaob. One egg, (Jr. e cvp g ene I'm BrR stirred beyond all Pay ng. mposers- of la.tPr days t bounds. L~t one go Into the churches found him to be the most prod uoti ve Beethoven's music, poetry and drama. no parae! ve, and these defects will of stoned rn.lsins, one cup of citron of our large cities and listen to the of great masters. In truth Bach was of Shakespeare and Goer he. Here surely be reproduced In more exag- and ourra.nts w!xed. Soda, ol()ve 11 , sacred song so bea.utifullv reude-d a.genlous of the hl.,.bestorder. Manv be accopllshed the most profound gerated form by the cop 1 t T'-1 cinnamon and nutme te 'r \' 'IDd OVerwhelming •ffeot ev=r before y s . '-' s g, one lldlpOOtl and if bJa soul Is not bron.,.ht Into of his airs are very popular and o•e ' ~ monner of workln I t I e b t f fi I \' 1 ~ ma1e by uniting them all In one g s very a.p to ac • wo oops o our. bake c oser communion with hls Maker 11 P a.yed -with great satisfaction. Bach d t 0 it does not awaken In him the deter· bad a companion ftgnre in this epoch ~rand homeo~eneous mo.ss. His es roy t e originality and self-rell- three quarters or an hour, and try mlna.tion to do better things, 11 he In t.be pel'8on of George Frederick 'Die M:elstel'l!inger,\ completed in ance of the student by teaching hlw with broom aorn. does not resolve to live a. better a. Handel, born the same year at Halle, 186ll ~s aonceded by almost all musl- to depend upon the work of 80 . nobler life, he belongs to a low' er Ganna.ny, aud dted In London In 1759 olo.ns, as the most b~autlrul opera. oth f ld T h ! Hi f h · ever wn'tten. .The funeral tnarch of er or go anoe. he word ideal, sp ere, or poor Indeed are his sensi· s at er was a physician who d1d billties. Vooal music took t'a.pid not th!ok favorably of bls son per- Siegfried In \Die Gotterdammerung BB applied to express the meaDing c>! strides after opera was introduced at snlng music as a. vocation although Is stupendous In its po.tbos and 1 a picture or sketch i~, I think, oftea the beginning of the 17th century the boy showed much aptitude for it. donl>t If there E'XIsts elsewhere any· wrongfully used. A.n ideal is some. Tbe cltv of Florence was where tb; However fates were too strong for thing to equal it. Wagner's last thl tb t · 1 d d hi d h opera 1vas Parsifal, completed =bort- ng a exists n the mind only, ramo. a.n song like melody found m an w en George was a.boat ~ d h 1 Its beginning. Venice, howevef eight years old he went with his ly before his death. It is a work an s Oil d be reproduced from wba.t soon became the home of muslo and father on one occasion to the Duke nearly related to Lobengrin, in some the mind sees and not from what is tbe growth of dramatic song w••, for 1 o! Saxe lVelssenfels. Here be respects more beautiful. suggested by a. living m d 1 h · 1 ~ It wav bf' ><\fely said that no must'- 0 8 ' w 0 18 • a most a century, exclnsivelv confined I obtained aooess to the organ the ~ perha b t to It 11 it A. D k h I • oian in the t>utire history of art has ps. u a poor representation s Ill s. n attempt to lntr 0 . u e eo.r ng the youngster, recog- t h 'd dnoe the ~a.me in Germany was made I nlzed his talent a.Dd used his iolluence occupi~d the attention of the whole 0 t e 1 eaL It seems hardly right bat _fQ!lro owing to the fact that tb~ with tb'l elder H~udlill tq HQQh gQod contemporaneous world to anything to call a picture an Ideal, when, in Itaha.n music was unsuited to the' purpose that George was given lee- like the same degree as did Wagner order to bring it into existenM, the German words. Its introduction Into :sons on the clavier, organ and violin. lrolll the performance of Lobengrin · t 1 Italy was a curious one. A com- When bo was eighteen, his father In 1850 until his dt'ath at Vleuna in artls must ose si~bt of his mind pic- WEDDING CAKE. One pound of butter, one pc>und G1 sugar, one pound of flour, twelve e ~~s, three pounds of ourrantll, thrc e pounds of raisins, one pound of oft, ron, one pound of blanced a.l!Ilonds, two cups of molELsses, one-hal~ box o-:f olnna.noon, and cloves, allspice one quarter of a. box, one fall wl11e p;la111 of good brandy. This ea.ke will keep for yt.>ar&, If desired, but. it asldOID, bas a chancil to biloome aged. It ~ .:- · too fine a. dainty to keep long nnleellt ., well hidden. · pany of Florentine gentlemen were died and shortly after his death 1883. tore and coniine his efforts to the In the habit of meeting together for young Handel reached Hamburg' Thus we leave this att-empt at a.n 'limits of the living model. I believe tha study of ancient literature. Their which wa.s then one of the musioai outline history of music: A.t the a oerta.ln period of study In th !if De ti .• interest and attention had centered centres of Germany and obtained an present time the cnltivatt()n of the I e e- COra ODS, , --:,~ on t!le Gree~ drama. and they de- engagement In a theatre orchestra 11.rt ilas become so general, and the c ass is a necessity 1D order to proper· A home withont decorations o! the-. ,c termmed to dtscover If possible, the as a sort of substitute. It so hap- number of good composers and per- ly acquire a thorough knowledge o! modern kind is like a room ltb :t ·:;;;; music o! the ancient tragedies, that pened that the lea.der who pre•ided formers hn.s so grPa.tly increased· as the l!ues and rmrves of the \human i t It b ~ OU: · <-';1 of the period of Esehvl us Enripidies at the harplsohord, fell sick and as to render it practically Impossible form devfne \ and thl P c ores. 18 arren. It Is drear!' i~\':;! and Sophocles. They had nothing to Handel was an accomplished ha.r- which ones of the prominent names ' s very etudv and decidedly displeasing to t.he ey~ / t guide their researches beyond the piscbordlsh he was placed at the are likely to be permanent additions should enable the artist to create a \Decorations, these decorat!GDB. tlla.-i·~ .... f-.·.{·~ orude computations of the Greek head. His suoc~ss was so great at to tile roll of art, and which ones be- perfect Ideal. Nature knows no mod- we see in sGmany of these Greonwi h;i writer. One evening v. Galll..,l, the rehe11rsal and per:ormanoes that loogs to. the ephemera of which every el. There are no t}Vo mouuta.lns home indl te thrift! 0 · father of the astronomer, taking a he was made assistant director and genera~10n produces Its a.bnnda.nt hills trees bu h 1 ' s. ca. ness o! a. · scene from Daptes \Pnrgatorius\ be his first work \Almira\ was perform- list. E alik~, and 'it issj:s~ t{;_fs n~~~al ~~~i!: oommedable character. It Is B. eha.nted music of his own compos!~ ed and made a great bit. In 1710 he LISB: M. EsTEs. tioo of form and color that makes of the work of the lady of the hll>'ilii,.it tion ~nd aocompa.nied himself with went to Italy and proceeded to No.- the beauty of a landsoa.pe. Even in to see that the windows are ~•ref'ul!y~'i: the vtola.. H i.e hearers were delighted. pies where his operas met with great Thanksgiving Dinner. mid-winter, wheo the outlines of draped, the maotles and tabl~ ;:::~~·~~ This, they said, must have been the success. He later produced more at trees and g~onnd are covered with fully arranged and the other style of music of the Greeks. The Rome and Venice, thereby adding to Bluepoints. snow, there 1s no duplication of fonn ' others w~re inspired with the result his fame. We find him next in Lon- Donllion. In making a sketch, there are ~ tnreofthe ruomsdecora.tedin all.Oll!e;;l'-:; that Daphne was prepared and per- don where he pursued his cour~e for Roaet Tnrkey. Oyster Stuffing ~ew important natural laws, whlBh, like and pleasant manner. formed. H!'lre we have the beginning upwards of twenty years. In 1741 he Cranberry Sauce. if adhered to, will ~lve it strength. After a. careful observatioc and of the Italian opera. All perform· C?W~Cised hls masterpieoe tbe \Mea- Ma.sbedand Sweet Potatoes. Turnips. and truthfulness, wh1oh are of great- search in the mn.aadnes I have · held in churches prior to stab, ' whloh was improvised in less Onions. Oeler:v. er moment than finish or detail I - \\ • the first opera house was than a tortnight. Comlllent on this Oider. Ohloken Pia. have been on sketching excnrsio;[IB suggestion to oft'er to \·t~h;:;e; The greates~ genius in opera wo!lderful work is· nnoeoessary. Lobster Salad. with students of private a.rt classes Greenwich: Vestibule the inventor of the Italian Th1s to Handel must be credited the Mince Pie. and have olfserved their method of of bolting cloth or sills ~•utgtng, Sca.rlatti su~=e::!:,l.i~e~:eni~~~:~:r:;o~~hran Ohml~~:.~ns~isins. Candy. Or~r;:/elly. b;r~ak'f!t;Yd-:-tdld ~::1:g~Iy 0 r~~ brordered in white a.re very Austr1o., there was bo.:n to a wheel: Oofiae. most prominent object in the fore- If the curt~~oms 11re narrow a. right's wile, a little homely, dark skin- DINNER. ground,. and rcradua.lly work ha.ek to should be nsed on both sides ed boy endowed with th.e genius the honzou line. Tbe.sky being tbe scroll at an equal distance for melody and tonal symmetry Manhattan Oocktail. last thing treated, had to be blc>cked A broad hem shonld also ·b· which made Frances Joseph Hayde~ Bluepoints. around all the tree,; and highest hills • the simple hearted tone poet of many White W\me. Black Bean Soup. composing the stody. This is not a outside the border. If the symph<;>nles and sonatas falllous. Be- Red Snapper. Pnrreof Potatoes. natural way to work, from the slm- glass is sqnare, as OCOIU'S ill fore this boy was six years old be Chlltllpagne. Fillst of Beef, Mwhroom 8&uce• pie fact that there is sky or atmos- the new h<>nses a wide desi\'D leo.d the boys choir in the village Pohtoes ala Parisenne. Green Pea.s. Pf herehbeh 1 dlnd everything. It there- \'0 entirely aro~nd the curt~~- ohuroh. His parents· were poor and OanvBB Bo.ok Dnck. Currant Jelly. ore s on be the first considerat!c>n '\ w£-'1, at the age of rourtee.n he was turned ~Ice <?roqoettes. of a sketch. The foreground, which ing a square o! embroidery. o·ut to shift for himself. A wig ma.k- Butterflies W\th Tome.to Sauce. needs the strongest treatment ahomld monogram ebould be worked. in of Vienna., Keller by name, took Lobster Croquettes. be the final work. I have seen pio- oentre surrounded b in and kept him for several Toasted Ol'll<lkers. Phlladelpbi.o. Oream Cheese. tures exhibited in the Nationa.l'Aoa.d d V a ll8rr~w · ht~ earned small Toii!at() Salad. of Design, in which the sky bad been er. · violin , Bouile-& Ia Oretne. Port Wine. painted np to the edge of a tree, and How to drape the windo\s \ieopo•litltii8~awbel'!7 Pist&sh, in some places ha.d actuallv.over Ja.p- house is rather a. serions ~· lee Oream. ped the oolor, of the tree. ~his oonsld!!ration, It is no -~.-\\\ per9aps be vermjseable In the t h . w pre~sionist · school, but not iii 0 a-ve nGt only natural. · • .f., \ .. I:~ The one's ren •'Bu 'I'h clgaret1 To ) <
