{ title: 'New York evening post. volume (New York [N.Y.]) 1920-1934, February 13, 1926, Page 57, Image 57', download_links: [ { link: 'http://www.loc.gov/rss/ndnp/ndnp.xml', label: 'application/rss+xml', meta: 'News about NYS Historic Newspapers - RSS Feed', }, { link: '/lccn/sn83030386/1926-02-13/ed-1/seq-57/png/', label: 'image/png', meta: '', }, { link: '/lccn/sn83030386/1926-02-13/ed-1/seq-57.pdf', label: 'application/pdf', meta: '', }, { link: '/lccn/sn83030386/1926-02-13/ed-1/seq-57/ocr.xml', label: 'application/xml', meta: '', }, { link: '/lccn/sn83030386/1926-02-13/ed-1/seq-57/ocr.txt', label: 'text/plain', meta: '', }, ] }
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ot, not as man dM so .. ably and e. It few boen no to or tho hiS Hie for- H) so $at. ~ ~.SO Su.n., Sat. 8.30 ~Bt. G aat. ( \ NEW YORK EVENING FEBRUARY 13, 1926. Chat of the Sloqe aDd qholoplo~~ Depressing Doings at t1J.e Rivoli and a W()rd or Two About Some of tIle 'Week's New- Films A FTER a most pleasa..nt hour at the Strand laat Stinday \vlltohlng' Adolphe Men'ou and FloJ'ence Vidor in \The GI'!lnd Duohess and the Waiter.\ fl. Qulol{ ttansit across' Broadway took tl!'l to the Rlvoll In the midst of something described on the prOgram as \The Bughouse Cabaret,\ (loncelved and staged by John MUl.\ray Anderson. Tho goneral effect was lhlet or 'a rapid elevator drop from the 1'00f of a sky, sorapel' to the basement. The Rivoli stage see1lled a riot of 00101'. Inl<31'spel'sed at intervals with alarm Qlocl~s. washtubs and other miscellaneous J)araph&rnalla, while above it all hung B. chandelIer tastefully draped with imitation gee\e possibly symbolic. .A. }lerson :;eated at a plano In tile back· ground Itept diving behind something only to rea.ppear presently In an entirely new and dlffel'ent false beard. Another per· son bea.t the washtub and a tin pall in time with the pianist wilen he happened to be playing somothing. wh.ich was not often. Innuml'rablo vaudevillians I,opt doing thIngs hefore the footlights in the usual vaudevUla manner al1d th60 all of a sud· den out stepped a gentlen'lOn in some sort of masquerade costume who Signaled to the orchestra leader and began to sing \Ce· leste Aida\ without any warning whatso· ever. At ti1e end of the ario. he suddenly lurned a hand·spring and tben obliged wLth a shOrt clog dance to the great en· JOYment of ~ p!l.ck<!d house. There was II tong lIna outBlde. tdO, waiting to get In. Just what was the purpose of all this energeti(' floundering nobodY' seemel1 to know or care. but It occul\'red to us durlng \ number In which two fil'emen playen mu.ical selections on a bicycle pump and a tire that Mr. Anderson. who has been prOdllcing tbese ''1'evues'' protty regularly of late. mlght conceivabl,- have gone sud- denly mad and here set forth some I'andom relle':>tions upon tbo whole rovue buslneel!J. The flromen-not that It matters. but just In passing-called themsolvas \F\lmsky\ and UKorsn.l.:o.off.\ Atter an Interminable period during which all sorts of \lPams\ a nd \troupes\ lind \artistes\ kept coming out and per· forming nnd going or! agn.in, a. moving pIC· turo. \Behind tbe Front.\ was \lIeaked ill I\.S something of an afterthought. calling to mind the almost forgeuen tact that the Rlvol! Is-or at ICRst used to be-a movie the!ltr~. \BEHIND the Front,.\ after such Ii send-all:, se<>med. probably. much beUer than it aciually\IVM.. Even so. the wa.r. poor thing. has had Its share ot fIIm- In/!' already and might. \WIth no great clamor of pretest, be paokod up In B. tight little can and set fal' b!L<lk on the studio shEllf. M(>ssl\s. Wallace Beery and' Raymond Hatton. noted v!1lalns, dress up In this. all of tile lav'ish praIse which has, fr\ time to liml>. bo .. n showered upon It. Do not thinl{ 10\' a. moment tltat \M()ana\ is Ilot recommended. It n1()Bt decidedly is, Stud\nls of PDlyneslan life, iovers ot the Snuth ~oas. thoughtful peo- pIa in l'l\neral will Ill,e it and realtze its wOl'th-.1s a brtllinnt and l'arofully tram~d travel film. \\hell It comes to desoriblr:ur it as \sotnething entir€il.\o' new,·' tithe 1l10gt beauUful film E'YE'I' mode.\ \allla~lnl1 \!lX- otic,\ \lhrUltng\-h\rc surely. there IS room fo~ dDU bt and modera.t[on. There ba,'e heen man)' pictures, naturtLlly enough, OVOl'[luhUeized hefol'\ release ILJ'I.d the raptures concel'ning lI~roana\· unlelJiJ we are very much mistaken. wlll cause d:li!- appol11tlllent t a many amusement-seekerll whn mill'ht othl'rwisI'. unblinded by i!>X~ uberanC'o <Ir flrewnrks. very concelvabl;l ha ve enjo~'o<l It In \ calm. perfectly sn.nB sort of way. WI,en one had expeoted to issue fl'()nl the Iheatr\ beating a dt'ultl f\.JId to lend Ihp (Jarado to'~he village green for public speal! Illg and n concert by the band, It is a little dampening to reaHze, after I the shol\l' I\ ovel·. tllat the usual walk 110me will suttlee. I .. Moal1ll. ... in rein tlon to other films. bl\~ be>en ovorratea and it will, doubtless, i'ilt6 all suoh Iuol<ll'sS offerIngs. Bufter tor It In tho long ,·un. Vlew(>d as a ple>ture arrl()]Ig pictures, It is Interesting, Instl'Uctive !lnd heautlful, a <llstln~t c01\trlbu!;Jon to the up- lift of the oinema and as sucb to) be. rea- ognized II. nd encouraged. WILE'LLA L. W ALDORi'. New Films on Broadway Tomorrow \Tile A.uctlon Block.\ directed by Ho~ Henley from tbo novel by Rex Beach; Capitol Th~atl·e. wIth Eleanor Baarc1m:an, Charles Bal'. Sally O·Nell. David Torrence and Ned Sparks. \Dandng Mothers:' directed by Herl>ert Brenoll from the play by Edgar Seolwyn and E<hllJnd Goulding; Rlvol! Thea!:re. with Allee Joyce. Con\ ay Tearle and Cll\ra B~w, \Partner. Again-wit h Potash and Peorl- mutt~l'.\ dll\<'ct.d by I!enr~' I<lng frOM the story by Montague Glus; !ltrand Theatre. with GE'Ol'ge gldney. AlexAnMr ('81'1', Retty Jewell anI1 Allan Forrest. \Three Faces East.\ dll\eot~d b;' R UIHrt Julian from the play by Anthony P\aul Kelly; R.lal4;o Theatre. with ,Tetta QOlld~I, Robert Ame~. Clive Brook and Henry B. Waltba.l1. \Tho Vanishing Amerloan\ r<,turns to the ('amoo ·rhoatre. with Richard nix and Lois Wilson. Monday \;\la1'o Nostrum:' dIrected b~' fl.x In- gra.m from the novel by Blas.-o Il>al,ez; Criterion. Theatre. with Alice Terw and .Antonio Moreno. \Thn.t Royle Girl' 1lI0,'es (rom the Cameo to the Bl·o!l.dway Thea tro. The Play I Some I Individual COnnUellt on Eu~ene O'Neill's Brown\ and the Use of 'Masks \The Great' God By J. RANtu:N TOWSE NOT without reason. the pl-esent!l.tlon ~ .' I in the Greenwich Village TheaJre of Eugene 0'N8111'9 Ia.test play, '''fhe Great Gild Brown.\ has been greeted os a the- a. trloil.l Inc[den t of more than common Importanoe. Tha t wa<l Inevltablt'. not ortty b'/lCause the nuthot' Is a widely recogniZed lendcl' among 01lt' younger cJramati.tll but because ot the Inherent oleverness. novelty and boldnee!!-not to Bay auda.cl ty-of the plece Itself, and the Interest altltching to th~ .prd\llems. phys[cal AJld spiritual, with whlel. It deals. Courage. Imllglnatlon and »ul\llose (U'a admirable factors In drama. a.nd all appear In this one, although th~ );!Ul'llOSe Is less clearly defin.ed. With muoh of the appreolatlve and laudatory cOInm.ent published In the dally press the present writer finds himself III easy 3.0' cOI'd, but not with all. And. a.fter read· Ing the text and witnessing .. per/ol'ma.nae. he Ie movod to record some of his own personallmpresslohs and reflection .. , Wl.f!Ch may. perha.pB, arise from his long and toug)lenlng experience in tlH! theatre and ltl~ Inveterate conservatism. ALICE In \MiLre Nostrum,\ the New Bex Ing ram Film, Openin~ Monday Night .. t the Orl~on T o BIll perrectly frank. he does not reo gard this as In any .~nso a gr~at play -simply because It has no largene~s or originality of thought or chara.<Jterizat!on -although he Can Nadlly admit and A.d. mIre 1Is consplouous deverness, as exhibit· ed in Its oompact, Inolslve and ocoaslonally . poetlc dlalogu<I. Its rapid' mov.ement and ette<ltlVe s!tuatlons and sharplr cut and vital It-with the .xception of Dlon al'ld Cybel-f!omewhllt conventional p.r80na!les. . Th<l lIIolieme, too, Is original ancl Ingenious, and, up to 1;he point where It pecol11e!! !n- volved 1n Its own ohvlous pSl'ple!Xltles, I. handle 11 with notable adroitness. Apl\rt tram these perplexities. the whole work Is admirably devieild to Ineol\'e theatrical <!ItI.'eotiveness. Mr. O'Neill knows his and his public. The topics \Barbara Worth U in Films l7. t 'r.Jf TI.Tagner Cycle ullon which he touoM~ incidentally L T l rr j -her~/1Ity. environment, aelf·elCprcsslon, Sa.muel Goldwyn has ])urcha..ed screen AI. 7\T TIT Freullll5m, eto.-are many and varied. In- rights to Harold Bell Wl'lgbt's \The Wln- atinee J\V ext ,r eek eluding, ltldeed. most ot the ~I!I,yground ot ning of BarbR.1'IL· Worth\ fOI' a larS''' slllU modern Ideas. As tor the ultllllate philo •• by speolal arrangement with Sol J dae\ Debut of. Melchior and' T alley-' ophy Bugrelted by the ImpUeat!onl ot the who had pl'e\lously purchased the \ight<!! wholll pl<It thai. Jl('l'hapS 'purrrosi!ly, !s lelt with the Intention of makIng tho novel ,'Yew Carpenter Ballet a. trille obsoure. owIng to the oynical ad· Into a moving plcturo. Henry King will r nlLXture ot' futU\ 8plrltua.lltr 'With the dtl'ect the new GoldwYll production. w~loh I domll1itnt .mtltGrla.1I8m. It is jU8t pOlislhl1! wlll co-teature Vilma Banky and Uonalll A N EVENTF'CL weelt is undel\1I1lM at if) Interpret the drift of It jn two dUferent Colman. n.s did \Th.e Dark .Angel.\ th'\ MetropOlitan Opera. House be· 'Way\. Accord!ng to one-'Whlch w(\ulcl Frank Ll()yd' With Paramount Frank Lloyd, director at \The Sea Hawk,\ \Black Oxen.\ \ of Cbance,\ \The Splend[d Road.\ .. na numerous ¢tner productIons. r.,centl~Oln~d\tge Pa1'll'o1tlo4nt organlzatlon und~1\ a loJlg.term cdnthict. In accordance with the fast-growing policy ot produolng elaborat~ films of the specIal variety, Mr. Lloyd 'Will be \ to one ot the Important Pieces s('heduled for re- lease next fall. I ginning :Monday. On Wedn~1'Jday after. malte of Cyh,,1 th& old paga.n god- noon the first of the \Vagner <,yele mat!. dal!ls Cybele-life 18 but an endless round nees wlll be given with \Tannhaeuaer m I of produetlon. re~tltlon and extlne- whloh L!l.UI\ltz Melchior tbe Danlah tenor I tlon. wIth oMth all here a.nd 'her~atter, Who has lna.d\ a nam~ In German oper~ . The otber hints at progrf!l8!1lv! evolution to on tho COntInent. '1'1'111 sing. and Marin an (lx!stenlle Ideal and Immortl1.l, NeIther J rlt XI ~ It d the one nor the other possl»l! Intel'pret~~ e za f\ '1 f) e I~a,ve of her opel'a au I· tlon is new 01' likely toJ be I11llch A:tfeoted I)\ ~nees fdr .. b t$E'aSOn as Elizabeth, \ Tn \Rlgor.tto\ WednesdaY' evenIng the dralnnt1c lIJustratlon. !3ut tile (trama. thllt ;'aung soprano trom IoCansM City. Marlon fa.vors the Il\ttor view Is likely to b\ the '!'e.lIey. W111 make h\ debut as Gilda. On most sympathetiO and !napll'lnl'. Mnt It, howovor. may be worth amoment's oonsJd\l·ation. The distinctive novelty III his repreeenta.tlon. of course. Is not the emplo:vtnent of masks, whIch Is thousand_ ()f yen.rs old. but the use to whioh ho has put thom. 7he question [1'1 whether this I\ wise or (l good 01' bad preoedent In the theatre. l\ndoubtedly 1I1r. O'Nelll's Idea has II. measure of originality a;nd boldneslI, bul ,,\heth It will be found expedient. holp!1l1 or pracll~abl\ Is exceedingly doubt· till. hI all probability It will det6at ita own purpoil!o, by d~st!'ucUon of the desired !l. lusloll. His objeo't. of COUI'se, was to enabl\ tb\ .. e[(,r. (or tile enl!ghtenltlent ot th& audience, to malte a. simultaneous pr()' jeotlol'l ot his doublo personalitY'. his ex· ternal, artirtolal and misleading ba'bit. In (Iontr~lt ,,-Ith his Inner and true Belr. 'X'he notion. I .. sound, since the majority ot maJl.- kInd. oonsclouslY' 01' unoonsolously, play double pa.l'ts. \Vh.,ther· any mall oa.n dlsg~Lse his rea.l self as effectually as Dlon 19 supposed to have done 18 a questiOn nM immedla.tely Important nna need not be argued !\ow. The salient point Is that the theoretical <'f't'ect la \lot materialized 111 a~tlol~. This Is not only llecau.a the v~~lble renlovlI.l IUld l'I!lI1SBumptlon of the mlU!k l~ dlstrIL()tive and rulnol16 to illuelon, but be- cause tbe mllsk Itself when In plo.oo til rigid and Immobile II.nd therefore utterly 'l1'I'e.p.~11oSIve to tlje (lxprosBlolle or aenti· mellta of the $pealter. M6reover. In thll Ile.rtle~l ... r ,Instanee ot Dlon. It had the <evil effeot ot rnakhl!;: many of his utter· anc()s un[ntelltglble. --- l or l\ll 1utlle to refer to clllSSlo preoed~ntl1 tor the n1!l.1!k. The ancients aaopted It In {\ dlfl'er~nt condItione and with totall:v different I\lml!!, Th& uae of It rn modern oOlnedy or tra.gedy must alWayS lavol'\ 1)1 eccentrlolty 01· trick. 'the ar,u- ment tllat it reves,ls thB doublj! Jler~on. 1I11ty lit, at the Inost. only P!l.rtly 'Valid. Thj! assumed pers(Jl'Ia.llty, BJwa.ys eu,,· eeptlblB ot betrft.yal. II!t no more static th&.1'\ the relLl OM. Att~)\ all, the USf! of the mask. bl modern dra.ma. Is but It OlUl'l1BY lubtt!!l'tllre to help tile lamo a.oUng dOl over an artistlo 8tU&. What Is the btl\l· nO!!! M the player If It 18 not-as. tot es, Ample. ';\n !l~~ cue at Iago-to suggel'lt tlle ' bidden nlot!ve beneath the external action? Th ... ~lIghtest ohange of tone, expl'~8ell)n or attitUde may b& more elllCl\lent thA.n allY !llae1c, The 3'ood actor 11as 1'10 Med of one. MI'. O'NolII's players lit\O onl,.- lIIu· 11'1'<1 wilen their faces !\rt) bare, -their latest picture. as doughboys and Pl'Oaoed to be very. very lunny In muddy France. Audl.:.ncM, probably. will never get over laughing at lnll>-tltles rM.dlng \Their Arrival In Sunny France.\ followed by a long line of .American privates Iloun- derlng about In two f.\'t of slimy OOZ', while the heavens pour forth the usual deluge via the studio walel' tanka. Evening Post Guide for Theatreg0ers Friday ~\tlnlng- Mary Lewis will make her stlMnd a.ppea.rll,nee. \Inglng ~dt1B. In \Paglla.a'c£.\ and' the same G .... cnlng will come th~ first performance a nywhere Of John Alden . Ctfl'penter's ballet. \Sky. scrapers,\ and Mr. Baseellllans. who h .. \ rehelL1'1M t~6 ballet. has I~troduced three sa.xophones and a banjo into the or- T HERE Is no Intention now ();f dlseu\shll' the story. philosophy M llJora.! ot Mr. O'Nelll's play. AJI tha.t n~ay be I~tt fOl\ later and more convenlont OPPof'tunltY: The mannel' In whlcll he has eleoted to pre- A8 \'l\he Orolat God 'Srown\ has It sub- et,rllelUl'I1 of llro,iUII IUlti purpose (whatolver lhi. 1Ilay be), I .. eyrnboUonl 0)1' \'l1~r()rICAI deal\ Wltl1 type\ and rnf\.l!seft I·a.ther than Indl\l1duaU. and tllu~ atal\d8 tl.l\a.rt from tile eonUllon t'uok ot oontempors.ne()U5 playa. ;It is cl~arly untalr to cxam[no tou eloMly tho ~IIElleton of It II dl·anla.t!o stt'ua- tur~. which. In approaohtng !ttl ollmax. ~uf· fara l!Iometlling like complete collapse. This IR ncot I!~ muoh on aocount of any (lontu- sian due to unekUitul ,,'ot'kman~-th& de81~n III well mf\lntalnec1-but tit the loa. or or~1bUlty. ane! th~rlJfl)re of 1rttotelt. by tile Jluillbtng 01 aolentll'lo tMt Lnd unwn.r· ra.ntea tluol'y to I!Ul extl'n.'Vaga.nt e()llolu- sloll. 'l\b.o airy aynlbO)l1sm cunot .uaWII the 'lll'e1tht Itnpo.ed upon It. Tile &lonse· queM& !II thll.t '!V1l have a melodrll.tn~, 1n- dIaP\;ltllibl;V ol6Vot. If often 8hallow, In,u.\I- nLUv6, novel. 111'Ovoca.ttve ,aM tlleAtrlc!l.lly Inler<llt.!ng. but nevertl1ele~$ melodratna •. whlcih, hell1a n'1or~ !.ancltul tban thouiibt. \The Big Parade\ has ~l1ronlcled the w:a.t' in celluloId rather well alreMy, and If wa must have Beery-Ha;Uon comedy. let os hereafter have Beory-Ilatton comedy which does not seem merej,y a !alnt, use- less burlesq,ue of another t\:1111. \B .... hlnd the Front\ amused the R.lvol1 patrons la.st 1:;unday, as did \The Bt1g:i101llSe Cabaret\- that Is to say, excessively-but It Is. for all of tllat, just another program pictUre. O F a widely dlffprent \rin !age Is \The Grand Duchess and the WQ.lter,'· at th~ Strand. adapted, t<'1t11 ~onslderahle tast\ frQ.111 Alfred Savolr's play. recently pNsented In town wiU. l'.:lsie Fergl1Ron Ilnd BMIl Rathbone in the tlt1~ roles, l\lorance Vidor and Ad<>lphe l\lenjou are chlellY concerned In th<) I<cr\~n v.rslon and wise moviegoers wh() bethor to kp.p up ,vlth such thIngs will Imo'W at once that sO)lh[.Ucat\d com<,dy is tho matt~r In hand. Sophisticated rompdy It I.. \\Q wPI! done. too. fn ever~' depa;rtrnellt. MAkolnl St. Clair. who <'1nerge<1 fl'om obRcurity [niO I he directorial limelight nr.t long ago with \Are Pal\ent~ People\'· to h[s rrodlt. has repeated his succe\s hel'(,. ,\hll\ Mr. 'ten· IOU and' ~II~~ '\Idol' ar ... as usual, aho\'e reproach. Followe .. s of Adolph~ ;:\Ienjou kllow well enough what to exp~rt front Illnl. and \The Grand Duchi>SS and the 'Walter:' be· ~'ond tho shnilow of a. doubt. furnlshe~ this excellent actOr with a part seemingly ma.d.:. to order. Wh~n it MrrlGS to Miss Vidor adjectives fail us. E:;cquls!te .Muld probably head the Ii.t. but what Is tile us~, aftOl\ all. of putting <'!c>wn long IIsls of pleasant-Mounding 'Wol'd~ cloa r to the bottom of this page? As the I·,'yal Rus· sian lady exiled and lIVillg on her jewels- a.g far as they go-~llE's Vidor must be seen to be appi·eclat<,d. Sho is on our \must\ list lit Is nGt 01 et'ly long) from now on. \MOANA .. the long-anticipated Rob- ett J. Flaherty fllb.l <>f Samoa. 0.1'· rived at the Rialto thie '\leek and like so many thIngs long·awaLted. failed to arouse mud: enthusla:slrl fOl' soa.p·!lox speaking In,thls departm'$ltt. Great thIngs have, indeed, been said 1;11 it almost every- whel·e. The Natlonal'Bbard of Review. In h~t-thnu<\\11 W\n hI'! fOl'ever att<'r r\ teu to tho vulga!' JlI'e~lllcts ()f \7h. Bughl'Ju~~ ('ab(U·~t\ tOI' saying so--\:\!oana.\ as shown at the t1lalto. ,O!)p<lll.l'S for nil the , wl11'ld JlIt~ It somewhat 1)\101'lfled t1'llv~1 tUm'l longer alld undoubt~dly Illo~e beautiful tllan 111I'1st. but not, surely, clesElrvlng Cl.uite I ABLE'S II\1SE BOBE. Republlc-Pore.Dlal Q<)1Il' td:J ir:1 ill :fourtb :rear iUld bl, lor II. 'I\! ... LADY'S VIRTUE. BlJou - Mil. Cro~b.r. l.k .. ull t116 .e: prOblem o~el\ acaJn. ALIAS 'lBE DEACON, liud..,D - E •• \.tbir:1f but the kJtcbl!tl stove in Vioul crook:: plu. J.lUdS :.It'll) ':I'm MAN. Garl'lok - ShaW'. 1Ir1l. u.n~ '()D1~dy. timidly Idddln&\ .. ar. opleull!dl7 PORT O' LONDON. Dal:,..-A 'colorful, well aClod \ale 01 Load.D·. do~ksld •• PU?py LOVE. l\o'll·.'ahtb Street _ A fa ... ~omedy tbat /. cloan wllltoUI uoe .t ,.aouum. SlIANGBA! G!lS1'tJIUI. Tall. :N~rUA Beck _ \ Chin ... broth.l melodraMa. .,.lId and lIal. t'WELVE NILES OUT. Pla,.hou.e - Rum Row lhl'lUer with 6o,me' excitill\ dtlflli. t\OUNG WOODLEY. Belmo\t - A. lib. ollld.t .1 adOlelCOll~. b •• uUlull7 aeled by Gleno RU.\'r WEAK WOMAN. lilt. - :A. .ay and dobolialr Fr,nch comed1. o&u.ht,r bUt DIe., ~lUslca1 PIaY8 AhTlST8 AND MOnEL!, Whiter GlrdeD _ All- Oth.r odllIon of Ih. mull\ ~d da ... IIOl'Illalal BY 'l'lUl,WAT, Galet,r-D<!!I atid chat1llil1# lI:a .. : /Job r.'ut. CAMENCrrA AND Tam SOLDlli;1t. 3010\0'_ o..plta' lI.rIormane<! of ~. lIUill&1l ... rat ... Of \Catmen.: 1 CllAlUhr's REvt1E. Sol'i'n-Ell .. llah ~ol11p..., In Itt IlIJ'eAI and l11ade.~ ren1e COCOANUTS, L30tl~ ..,. '1'11. !(~ Bro~h!,.. htl&d. on. in & pr~tt1 ',urh.fuIlY&I, D2.Art!lli!T gNEMY. Itnlcltl!l'~ _ CIl_., oj\cr.lt.. 01 the n.volut!oll .,.jlb IlA>te\ rent &lId (lharl •• Pur.oll, GREENWIOH \VILLAGE FOLLtES, Fotl7 .. b:11I Slree~ - Sumptuous lind nod;;, I!Jl<!()Iacl. HIlLLo LdLA. Maline ElIlolt---{lJe\'!i' peoPlo In \ 0\1'11&1 ... r.l.il 01 Tarklh*loll'. \s.. ... ,,1e II .. MATINEE GIRL. 'l'UE. FOi1'eil - IIrlllll \Ud \ danel\. .bow. II:ElIRY. MERRY, V.nderbUt - 1.1 ... 1\ \.ncli>. 1>.\ with A'ldr1. Saxo\ lind & hanl '\ L'_. ClIoru.. Of or .... NIGHT IN I'AlllS. A. C<lntur;, B.oOf - A .man t •• 1 aod lopltJ,tlcaled revue. ' NO. NO. NANE'r'tE. Globe - Caplt.1 eho\ 01 @tjn~. dl.11 ..... ad elow~hl. led b7 UJuIae Q,.Qd1 and CblU'leo Wlnnlnrer. ' PRINCESS. !\LA Vu., Sliute\ - Stlrrl., oIlor.lta wIth line Chorus alia 1IIn,el'il, oheetra. The .oenery and costumes have heen dllslgnerl by Robert Edmund Jon<ll and th\ Scenes paInted by the Bcrsml1.n Studio. The 1111~. en \\enG has been a.rl·l1ngGd by Mr. Catpentill' and Mr. Jones n.nd executed by Mr. Samuel Le~. well kl1t>,vn on BroM· way tor hIs many popular .ucce8!!es e1I stage manager ot orlglna:l1ty. The nogr() group wblch Mr. Carpent~l-'s ball-et calla for ball boe&n organized bY Mi'. Frank WH, ~011. The Iltll'lOlpa.l charact~r~ In tM ballet will b¢ Interprl!t0li lIS tollo'Ol'\ The Sttuttolr. Albl,rt Troy; Her!llolt. Rita De Leporte: White Wings, ROgel' DOdg6. 'l'hj! O}lM'aII of the wMk in detail \ a.s tollows: \Flomeo et Jullette\ MOIlday avenlng with Mmes. Borl, belaunols a.nd Wa.kefleld ana r..r<lll!r8. John8on. Picco. Dli!tlr, Rothler, Bada. O·Angelo. Ananlall. Reschlgllan and Altglaas. Mr. Hallsolma.n$ will conduct. ''Tannhaeuaer'' as a matilleo on Wednes- da.Y'. beginning tM Wagner Cyo.1\ fUlrl<'!\ with Mmes. J~rlt.:!a (laet appearan<o thl$ ge&l!lon), Sranz..,11 a.nd Delli: unols and Messrs. M~lalilor (d(l\:mt), .scbon. Bohnen, Mead ... r. flI!blegel. D'.Ar\gtlo nnd Bloch. MI\. Bodanzky wUl condut't. \R[goletto\ on Wednesday ~v()nlng with Miss Marion 'talley (debut). ~rmes. Alcock, GuntorlI and Anthon~\ a.nd !o1.s\rs. Laur!- Volpi. DeLuca.. Mardone:!. Ananlan. Reachl- gllan. PI«o and Bada. MI'. Serafin con- ducting. SONG OF THlD fLAME, 'I'1l:E, l<'ort:Hourib S~r\'l -SUI:II~tUou. and lovell n\uall!il .1Iterta!QllIflfi\ S'tt1DENT PRIl'ICE. THl:l. 1JOIlI\ltJl _ Cbar1't1.l~, oll'l\\II. \'lilt fin. mUlle. UcellenlI:t 'U'\ .nd \Trav!a.ta.\ on Thursday evening. with &~. Mmes. J3or!. l!;gener and Anthony and sUNIn'\ N ... Ams!<>tdOn1-.,eI'l'lbt.n .. IIIone'..... MIiSSI's. Chamlee. I)a.ntse, A.na.nlan. D'An- bU1 mak ... II ju*, a!)tJUi a t>!tl.OI dI1nC6 Ib.w SWEETHEART ·rUlE. 1Ihl>eilai _ Goed diIDCiIi gelD. Pa.ltrlnierl and ttoochlglJan. and • eOUJlle or ~l .. tUlle.. '''Gianni SCbleo!,\ \Skysorapers\ and l'lp·TOES, LlbetI7-~'h1rjl! mualo a1ld Qu_se ''PagIlMOI'' on Friday evenin .. ·• the fll'1lt Smith ttllin • creal 'bo.... .. VAGABONt) KING. !tHE. CUllIO-Ca»ltal mllJl with Mm~s. Marl6, 1i:oWlU'd, Robertllon Ob)1P1l' and dal10lllC wtlb neat chol\Ul c. and Antholly and Me8J!1rs. !Aur!. Volpi, D~ v Al/ITIES. J'lIU'1 C~rtoll - A D .... lind brlmlln LUM. V[dUr. Rothler. Malat<!Rta. ADanlan. edition ... Jlb much humor. Resolllgllan, O'Angelo, Badl!: and Gabor, Mr. Motion Plctnrt!ll Papl <:onductlng; the second danced by llli:ntND TlOII FIWNT. !UvOII-Llrhter \\poot. 01 MI88 De Lep()rte and Messrs. Troy aM tho lal\ \It .... Ith Bel'1'Y and Balton. Dodge. Mr, Basselmana (Ionduatlng; the BE1HlUR. GtlOl'le lit. Coh&l1 - Gtln 1:.0.. '1'1' J\ thl d WIth 'N! O.t ~ •• 1 d 1aCfJ'. IlOV.,! .laboratel.!' lICr\Ol1oa ';Iih :Rom.oD· r ,T> ~~ .. w.ry ....,'111 S a.n Me.sra. NOUi'fO. • FullIn, Scotti. Tibbett I1nd l\aftrlnletl. Mr. BIG l\A:~bJJ. nUl'. A,lor _ A .tfrrln, WorJd )?apl will conduct. Wat picltJre. brllllilntl1 con<ll!1ve<l and \.tOd \Ole Walkuere\ on oSatU1\dliy att6t'noOn BLACK Blan. !rEI);). Capitol - Qc)od LIlrM>bou\ with Mntes. L!irse~-Toas(ln. Easton. Bra.n. melodrama .... Itb LOll Chan.,. II '\ GRAND IlI1C~ElS AND 'rUE 'IUI'l'l!lB titIc zell. TelvlI. Welte eld. LJelaunols. Etowatd, SlraOd-Ex\ lOJ\hloll •• \'4 40111\';' \lIb FloeMlel', Wells, Hom'sltay!!. and Robert- Adolph. MeDjou .od Ii'torenC!b I\ldo.. son !tnd Messrs. Laubenthal. Schorr .. nil MERRY WIDOW. '.l'H.,. Ji:11IbB • ..,. _ Job\ Gilbo\ Gustataon, Mr. Bodan:llk)l \~'I!l condUct. and M.\ Murru In .. IUM~tudU. VOn Strob.1m \A!da\ wlll be tb/! \populn.r\ SBturdll.y productf~n, . MIDNIGHT LIlIITED THE. Brolld\v-llonJa. nlgltt opera with Mme... l\!uell\r. 'Telvll. tlol1 \'Uroad tl\ ... 11 co.t. and Byn 1'1 and Messrs. rA'i II rl- Volpi. BasI· MOAN.\. ill .. IIO-A beautifUl OM Ulelrl10Uve VIC!- 01 •. Mm·,I\n\., O'Al1g\pln u11,1 PaltrflllArl. tur~ or ut. In S.moll.. At tOlnorrow night's O\lel'!l (\onel>rt Miss ·f-A BEAST. THE \V~tner'·\\\'''h .. Barnmore t. Yolanda Mero. pianist.. Ivlll pial' LIR:tt'a ~ vivid @!(In\i>.\.-hat rrp!!IIiOme whalinI' tale. .TEu.A DALLAS. APollo+-.\.o Intere.lln. motber' Hungal'len Fantasy lind a plann 9010. love film ,pl •• dlm,. 'Ol.~ IlniJ produced. . Mmes. SahanlMva. 'relvll .. lIe] Rollc\rt80tl tHAT ROYLE GIIlL q.m.o - 0 If Gtlftltb', and M~S\I'B. ToltntY(1n. S~hol'l' nnd Vajda. melodrama ,.Ith Carol DemlllUr. . \~HAT IlAPl'l!lNED TO JONES. Colon~-Re'lnlld I wllllJlng operatic IIrla..~ U-nd,H th~ direction llt!lll:t In the I>lII.rloul Dro&dbl1l'll Well. of Mr. Balllbosohelc. ~- , .- > '-- Cruze Making \Old Ironsides\ Large Fleet of tury Vessels Nineteenth Cen- Will B\ Used C 0;';STR'CCTION at tll~ Cit.· of Tripoli. as It existed In 1800. and of I\hllll.det- phla during the M1l10 periOd, WIll ~ co\11- menced soOn iii Hollywoo!l i'l)f baekFOUnd h~ ,)'amM Cruze'! coming ll!&torle:a\ ~Io ture, \Old lrohe!dos.\ The tulle III ul1de .... tho! 8ujll!rvlslon of l'!ldware! Slnlth. art dl~ rector nt Paramount's We~t Ctlaat Stulll!). SmIth SII)'8 It Is eaaler to J\l!<:ol11Jiruct 'trip- oli than Phll!t.delphla when It wt\.l! the C41l. lial of tho 'Cnlted State~. lItr. CtllIllO'. re- cent trip to Africa revealed t~a.t the pU8~ Ing of !IOU t1lrfeR has wrought but minor chan gee In MoMmmei!a.n IU'cblt8Cture l!.lld ou~totrul. and thM mo~t at the city looks th~ salOn as It ClIIl 125 yoars !!lira. -Old Philadelphia. howevlIl\ hu complete- !y d!.a.llp~arec1. Only a few bi~torl<l land- marks remain. The towering ~!tY8or4pers ot the pre'tlent give no blnt ()t the e~Y goIng Quaker' City ot the 1!!1I.rly day. of. Amer!ca's history. Hen\ hu been 11110· efl$ary to prepare the PlallIJ frOm .,lll Sketches of the city thM IIp'''Mre~ In '/)ook! and periodicals of tl1e time. Moit ~t these have been obtlllned trom the Congreft81ollll.1 Library In WaJlhfnllton, D, C, The firet contingent of ve4selIJ to be ulleel In tlte filming h ... alteady 41'MVecf In San Pedro h!l.rbor from PIllnt, alan« the PM!flc Col!ll!t. The flaet., cornpr!l'llnr tbre. three.masted ~ohoonerl anll leveral .. maJl· ar hoats, s[l11llar to those u:eed bttwe&l1 the yea.rs 1800 and 181B. '\'It! Btl imme· diately Into drydook, where Ib~ Ol'aft will be remod<llc': to act a.a gunboat\ and Tr!pollta.n wnrshlps. 'the \eEl~el~ o,re tile rl!Hult at a natlon·wlde !earob by T(lrn White. Paramount 1001l.tion expert. Vlbo scoured the seaport! of bot!\ the lll~t and WtlIt oout. for ehills. .A. Ileet of t.welve ftcllOOnerl .. l10W \1'14er toW' or the I!!teal'l1~\ RlW)swett olt tin SOlltllMlltern cout ot tlte 'Un!ud Stete. 6n rout6 to Los Anll'o\ell tJ:'()rn Baltimore. \Tho story ot \Old Xronilldee\ III th6 bfetorl~al OM of tlla {rlgate Conl!tltutton and It\ <)ncoutlter with tile Trlpolltan pirates durll1!!' IgO~. ful. U llCot deeply elgnlfloal1t. NEWS f'iut World Showing REX IN'GRAM'S MARE NOSTRUM (0'IJ& iliA) \\ .1S,ulJ!)l: NEXT MONDAY ~:ao l>, M. !'WICii: tlAl'L'l' THI!l'AJ!lAl!''rER. Universal Films' For tne Col(}1,t~';::i;,t:;;!:;;\ \The Flaming Frontier\ Midnight Sun\ Co'flting Laugh this off! You'U lauch )'ou lead .a! , App !lnd MaWt1J:ls i,n their·new(l&t-Ilgents for an automobile on which everything makes a noise bUt the horn. Fot LIII,laibl. PlIJIIO.es OalJ I \PARTNERS' AGAIN with PGTASH &,P£At.OTTER'; Acilpced hom the .tale hit by Moftt.~e 01_ JP o'rld' s Pnmdere Starting TOrMrr()w MAlut . S!!~tiD in fh~ most 6iaatjful Room in N,w Yo!';