{ title: 'The evening post. (New York [N.Y.) 1832-1920, December 02, 1916, Page 5, Image 5', download_links: [ { link: 'http://www.loc.gov/rss/ndnp/ndnp.xml', label: 'application/rss+xml', meta: 'News about NYS Historic Newspapers - RSS Feed', }, { link: '/lccn/sn83030384/1916-12-02/ed-1/seq-5/png/', label: 'image/png', meta: '', }, { link: '/lccn/sn83030384/1916-12-02/ed-1/seq-5.pdf', label: 'application/pdf', meta: '', }, { link: '/lccn/sn83030384/1916-12-02/ed-1/seq-5/ocr.xml', label: 'application/xml', meta: '', }, { link: '/lccn/sn83030384/1916-12-02/ed-1/seq-5/ocr.txt', label: 'text/plain', meta: '', }, ] }
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- -· ,. t::r so w··'! il' i ~ leriea, Nati<Jilal Museum, and Aca· d.emy of. Fi11e 4rte-Some \Refu. r_~es\ Safely· and Intimately Roused in the i>itti Palace~J.>recautio:il~ Which D~ Not Mean Fearsome An •. ~~ty .on the .Part of Italians. TIFFANY & Co~ DIAMONDS SQUARE,ROllND,~IARQUlSE AND PEAR SHAPES YORK,. · ;F'l'l.ll,ceilea, be<:ame, . somehow, ft:len.ds.. W fl can come .as ·phy\lcaliy to Raphaei's supe1\'b :portrait>! a!i thtl mas- ter hlmselt drew near each time· he ap- · plied ]lls immortal br.usll, so that we lilmost feet his hand P.asa CJ'eatively throu.t\h the air •. nnd ·thrili wi t)l hi$ own sense of ach!e\<ement. 'Evom the paintings look g·ladl '!'heh' · collocation ana the· light no doubt help In cretJ;tlng this· ·1m pression, o1· it m.iw ·be· the \reflection of one's OWI,l mood and s$Be ot pleasure ln meeting th~se J!Teat souls in .. $uc}l sim]>le r!>latioiJ. T)le joy of th!e new companiona4ip. which has been. ad(led to tbe .gra<.l!oilsness ot Florentine !n. soma measure ·cotnl()rte. 'one fot•. ·the df!prlva,tjon ~f othe'' ·!U't enjoyments:· whlcli Hte. dlJ.Ilgjjrs .. o'f war m~y tempo-. rat•lly llida from aight. ·r~ \Doors of PaTadise\\ of the baptist;ery are to be·ci\v _: et:Od against any ·possible cl8mM:~> from :f.pe~.lil.l' (;orro•pond<'ne< ot Tho· Et•nlirg i' 00 t,l incendiary 'bomba.; so· iaiso. the baS rei!'ef~. ~~e~atch I Your · Real Estate anc:i (:gver e·ve:ry phase of its manage- ment~ th~ renti~ and collection, oper:.. l)tion and repairs, taxes and insurance; Wrn. A. White & Sons Eotabtiilheri• iiles ' 46C\!dvSireet '1 1 elepbo.,. 'li'tOO' ,JOb• , '' li'r.Oil!INCS:, October 20.~As 1 'passed the · · · ___ _ __ --- ---- -- · -- ·-· I · ·at the base of Glotto's tower a.D.d·cth¢r not bother in the least. a!Jout the bea.u- number of maste1·pieces ha.ve been mov- exquisitely delicatq archltectur;tl detilils, ~~~~~~~~;;~~~~;;~~ 'house 'vhere Donatollo had hls·worksbops, ,·r 1 1 11 1 bb' h 1 1 aU, .. d f th t tb • · ' tal· d I · . . . . . 1 u · >e a :o ms ung t~m.Pt ng Y e. 1·om o er ·r()otns o e sl.t,er while ·· 1 he ll.t!l'enfh.ce.ntury -s ne -g \\\ ~I,J,hid the church 0 f santa ;Iuria del about the rooms, of thl3 'long lJajl; ·hut such :g'<lntly .:on- 1 windo\\s of the <·utha<(ml. and tho~• of· . ~r~ l wondered it that .master cratt$- H Ia in the $paci\)t\~; air)! Saloon (>Jl the· celved and· dPllcately executed canv~sea I Hanta <:rot\e and SIUlta .M.a.rla 1\ttova are )!)an oould'.llavc dJ·eamed tllat aome· five }lrst :tl~or that the !POre r?Present!!-tlVe ·as Bottlcelli'~ ·spring, Fra Angelico!s 1 to ·be lai<Pil. down 11 gv.Jn:;t the cha11ve o!· sc\ll~tur.~ hav;:,. been ·~ro.thered- And w'!,lat .. 'D..,9ent from thr. ·C,·oos, Qentil~ da. Fallrl~ 1 de9trurtion .from, explosive concussions: .'hllllilred years after hie times l•'lorenre· 811 lllSPll'11lg <;O[llpany! '!'he Marzooco l an!)'s· ~~ond· Ghll'land'l.)o's Adorat!<Jn ot the I Alt these prepaJ•atlons and precautions, \'i'.oul'd be concerned ln. ·protecting his greets you as o! yore with ftne, leonjne .MAAI·, do not \compose\· well with ·the I if they show that. the·.Jtaljans have )earn- ..:·orks fro Ill the· po\\lhle att~wks of an ·suavity not unmixed with Tus,·u:n lndif- · hug<>. ·superb torliOa of Mlchelangelo~s cd to measure their !oe.s, do not in any J ·.~nemy .fro. m the sl<les! Would b~. havll ference, and behind him Uattamelata, '·'·'·lltives ranged about the room. At I way indicate· tea.J'Som,e an)<iety. If, with t .rides proudly ·on his great horse, ·braver th opposlte end, In th& ·strong, tull one hand, the ltiliia.ns· in this .aJld other ·. : e'Jieved, ~ wondered, that ·<'enturles artor >in hia plaster repli<-!L thai\ tho bronze: ·lig'ht of' th~· i·o.tl-!nda. stands Ml!lhehm- I 1 u1 cltie~· .ar.e p\·epar1ng to parh ai!Y { .Ia death there woulrt Rtt!l b<· rnen in oJ·iginal a.t Padua. w!Mh ls covered IUJ.d ,gelll'a David, overtppp!ng this .disordered •rnuel and insensate blow, with the oth..r· :: ~uropd so savage in tht~lr hatred•. so un• h\'Oden under a bomh-proof shelter. But· crowgil:).g of masterpieces In the !On&\ they are carrYi11g on their: dally oonstt·uo-· , . ~e~rilinecl In their· lllRt of destruction .our eyes turn Instinctively· @d: anliou~-. entrance hall. . j tivo duties towards the moiQ.iiment•· li.n\1 • lt, as if little eiSP ~oullt~d. towill'ds. . 'I hat ~uclt \·\e\'•gOAs\ -~n be --~ely I t1.·easmes· of their civlllzatlon. 'l'he Uf· 1chat they would mal<e \little distinction •· '\ \' ~ \\\' ))onatella's St. Qeo•·ge. A'fve his.- -niche :·housed in ·1\ manller b~rotuing. their. high .. tizl l'ontinue t.o ·add to thil ITe&t ilolleo· 't>etwe~n .a GlotteoottP tnwN and a ut1l!- · two stout timbers '· o l'f been dnven into. ·estate, we find· aln):ily shown .at tlle Pitt! uons almost as !n norm&l tiiDea, lllld 'lb•~Y f<;>rtre~s. b~twceu tlw l:,:r.antine ·the wall to be used iu ta:l<ing down the ·Palac·e, where ninety-six of the ·one htm- notr..ble .restoratjons within tb)~ art jurl.s. :Uornes of a ·!;!asillca and a powder- mug~ ~tatile a!! It waa at ·first thought advlo~ .ctre1 ·<\Rnvases removei;i from the Ufllzi d\rtlon are being comp1ete4; sue:q 11:11 the: \oino.? able to do. The figure of the young , lind shelter in a state banquet hlill whloh work .qf Cor~egglo l:c; the· C11pola of the I walked on, past th'\ Piazza of the· warrior 1ool<s as if he )lad b11.cked a$ the King. l!as op(!ned t~ receive tb.e!U· .Duoroo at Parma, andth!tt.<Qt Plero della .filb'\Iiory where, de.splt~ the late afternoon tar as he rould in bls niche ·11nd W!I.S Here ·these noblest of e~lles lose till the Francesca In the ch(!iY of tn• ·cathedral. 1ilour,. the /attori ·rrorn hun!11·eds of '!'us- ·about t<> draw his great sword t?· .deal :.,,setrie'!s\: and det;.chment th\>y cannot ,ot ~rezzo . . .,an farms Were (\rS<'liSiling the Vintage mighty blows again\! any further ll.t-· 1\elp presenting wljen. formally lj.l!l(~ al)d When this war ll! OYI!r, ~nd W4 ah1Lll .laJld bargaining over Uw standing •·raps tempt to <'arry him to a plare of safety. officially catalog\led in a G;over-nment gal- know all that has been done; a cn.teful 'Jn the shadow of th• Loggia de 'Lnnr.i; . i\11 the m-lg'!nal. DonMellos have been i\ery. Instead they are now ·gathered &lm- hti.1;,.nlty 'will a.ward to lt&\Y a new tftle )thence, tu;nln!l .a ··orne•·. 1 ente1:ed· th<> . bt·ou!fht. here, and many or the more ·ply, t>asl!y, without P'!-instaldng order or ·or hoiJot'-'-the tit!&· at \Ttu.. ·De!erul.er ot ·\ow almost dismal !'Par door to· tbe l:ti\YJ , ~recious ·bronzes and s<\ulptures by Oel- learned distinctions, in this ample room .A.rt\. ' Gm'i> G!. ~z:.. ~Ca}.lel·ies. hni. ftosselli. aQd Vet'O('f'hio; tijey ~reI which was not bUilt to be a museum, but . . m . I I bad com\e to talk wtth the man .upon ran&\ed ~J.ttrji.Ctively .. round t he broad a pia<'e of gracio~s enterlainm~nt. The N. Y • IN. WOl\tEN'S PF.A.(J_E · · riNG •. 'Whom rests to-day In a very real sense room, wh.ose vn:ulted ceiling would oll'er '!!gilt comes i:n stronl\\ throug·h great wlh- DeiesUe• N\-me4 f:oli ·l',ll!!'ti'• A~>lll•'!ll'. 1 'the responslbi\lt;.o for the ••fety of the great re~Jstance In ce,se of attar!<. Yet dows bunt for t.he sunshine to llV'e by, eonve•tton a1: WaJOJrr.l•~•· ·~ontents· of this. and other tr•,ure- tbe. SP,ncwusness anq openness of tho I not t raiMd to throw the .proper atmo- I .. - tb W .. ' . !... 1 · · · r fl d 1\ • t · ·· 1 The executive boat'.. - e om..-n a. •nOUi!&!l of art, In I\loren•·e. About om• P ll.C'P gtve a sense 0 • ne e nme 0 I sp· he··e on p· idnres· the han\\n\s a:t:e the .. ..._ Cl h , t . _ , \ - 1 1 ' eo• b\- ! Peaee Party of New YoL·.n. ty R.$ &\1\ r~UI\dr~d Years ljl.go, 'l'ommaso Puccini, ·he i:lnemy, a l!<lnae eqjl,anccd by the flags I usual red and ·gold of royn!ty end red ·. . •··' Haviland China h ld G 'ld 11 f bl h ' . · · ' pointed delegates to tht &nn,.... «<llTell• ''who was. the!);. director of the Uffizi, !lad - 11 t 11 e 0 ~U1 tahgs ·o -F 1 •1orefnr•-whlch 1 and gold ~hilirl!l stand all about .. Here tlon of the Woman's Pea<:e .Party, to b•,. Ito ·face an anXIety similar to. that whi<'h s wave ,rom e corn ce ·rom w c the masters of art receive insicad <:>! tbe · th J del '··~on!ronts Pr. Glova.nnl Poggi :to-day. But 1 t11e (l.rcb, 9pl'il).gs. On the Vero11e, or Log- King ~M Is S.t the fro~t •bat\ing the heldhlni WashlnD':ton,bWI ..... :;\ 4 • 1 A 0 ~~ Rara Paecy PiUetl for Otdatmaa Gifts 'It . g·a. or th c urty ·d I y hi ' slim . . • as. c II. rman, . .cem er q ~... • .a..uv .. :. he dn.n~:er which threatened the art of 0 1 d e 0 al s .· er~cc 0 ~ harqshlpil of bis -soi4\ers; JO,Ud their wnrks purpose of the meetlnl' I• to draw· lip t:,torence then through n possible Napo- avi ; the war has takeh him from the are ·:not hun\' up at a forbidding distance . _, ' • ... ' · · f · , · \' a Congreaslon..., programme· .or \''' Pal'• IJ.eon!c· invasion was the posslb!Uty of :com ort~ o~ the interiOr to a fJ Pe open or roped· off· M <>. warning of their high.. . . !\>Iunder a.nd llstrortntlon.; while ,the dnn- spa~e ·in tb.e sun. estate; we· .:ian walk up tO thel:!l• t\l()ae to tyTho delcgl,\tes who wilL :ropr.,..,nt the· jl;:er to-da.Y, remote tlii)Ugh it Is hy reason By a strange contrast, all the weapon~ the easels on w)Jich. they rest· in demo- 1 , 5 Qo members o(' New ·York city a.l'l! Mr•· 1<11 the J)ll.rtlCI.Ilarly sh~ltered position .of .l,)f·war in' this museum have disappeared ·cratk good-fr:Jowsh!P' v:'e cll.ll come Henry Villar.;t., Miss Ccyatal Eastman, \t!h!s clty, Is not of brigandage and spolia- f1·om lh<' ,sight of tbe visitor.; a new, stout witl1in the war{Ilth of thc1r colora, -rch ·Mrs. A:mos Plnchot; Mrs. James·;!;'. Wat·- •'Uon, but of rnthless nlld hllnd M•truc- wall shuts o!f the place where ricb ar- with clQse scrutiny the smalle::~t touch b.asse, Mra. Margaret Lil.ne, Mt1a Ma4e· 'Flavtland.& C9 ~~!Me Ji I E~t 36th Street . iotlon by air~rli.lders. mot·, Medlcean arms. and battle flaS'f! ueed of the brush. They arc .pll!ced so w.e CII,U .leine z. Poty, Mrs .. William N. Btev.eno,. x.o East 3j'th Street· to be displayed. 1 k t them face to race gaie i-nto their Mrs, Florence Guertin ~ttle, M1.es Nel· Wl'I\Il mB runmoron ul' 1'IIE u.ai.L£!\IE!I. . : oo a · . · • ;: • ·ue Smith, Miss 1\.. Evhl.Yllt;Newrnan, Mr.,. 1 found the Director· of the l'ffizl In the At the Academy ·of Fine Arts,. at the .eyes, even quietly fathom theiJ,' l!ouls. · Carrie. H. Creighton, Mrs. :a:enry G •. long, narrow· room at the top or the }:.Ui!dlng Which serves as his otftce; a iarge ·,studio window cast its light full on ]lis crowded d~s\t, leaving the rest ot ·the .room~ with its disorder of books at<d }'lc(ures-in ll. plcture~que penumbra. ~ llllls of Florence. and· the blue sky r'J><ia»d .ba $!'1ln through the ·wlnd'o~ as in !Ue 'bacltground of ·some of the old can~ ' V..ases, and .Signor Poggi hln1selt made ~n engaging ·portrait of a. 'l'uacan Gentle- _tna.n,· diatingule)l.ed, ·<:ourteous. yet not .l'laholly free ~om·· n certltln hatightlnca:s. · It seemed atrange to ·be addressing t11e ~stodla.n. Qf the art of Florence op what • ~d been dOI\B and What COUld stlli be ·\tl.one to protect \'countless masterpieces ,rro~ the possible -wrath of the enemy. ·x:ut the dayl! Q.re past when the ltallans t~lled on the chivalry and the resp~ct for ;..r·t ot tll:e Teutons; they have learned It ~s Wiser to take no ehancos with the oeonsclPJlCe of their adversaries, ))ut to· . '!;ran.sfer niL movable art tre~>sures to '.,laces of safety. no matter bJLw remote · nay;,. be • Je risl< to which they are ex· l,Joaed. So even in Florenee-t he grarlous ar\- dty whose only \milttnry\ defences are the re[llnants of hel: 'Michelangesque 'Wails and towers-even D'lotence has }Jrepared her treasures P~ much n~ pos- Uble fOl' the viclesltudes of war. Her €>ioileries and musenmR jH·esent many \'he .. ~es already, and new defensive mea- aures are constantly under consideration. ·'i'Jie main principle or \derenc•'' has . been to remove all· of the nii:wc celebrated mastci•p!eces from ·upper floors or frolt) , ~·ooms w)lose straigl.g ceilings waul<! 9!· . fer little resistam·e to eJ>plosi've impacts 1 :from abovo. 'The L\ffizi ·Galleries. were ' never me. ·• cf course. ~or lUi anti-aerial fortress, an~ • tll• thin roof ot· {he UP• per floor, ~upp6r .• ·· on graceful, .paint- ed rafters is the $limmest of defensive· e:rmor, especiallY in the clrcular ot Tribuna whieh 1,.· capped by a dome serving as. a skylight. SP ,I-CES I>I!F'l' BY mm:ovaL. 1·oom· glass It w11s iii, .this Tribuna that the most !Precious canvases were· hung bol:ore the, war; l>nt though n1any or thein have :how bean .carried to other quartei·~. the impression· ·on ent~rlilg\ this famous l'()Offi is one of t·hange rather than Of void spaces. The more faJl!ous pictures have 'been rePlaced by o!hers not q.ulte e& fa,Jl!oua, 'bUtJmakiBg an Interesting col• l~ctlon nevertheless, incluaing several :j:!ronzinos, Cirra vag&ios, Giuljo Ro- mljl.nOll, and'> Salvlati. The to.nch of war . time\ is more oi:>VIous In some of the' atll-1· er· rqqnls as. for· instance~. here v..:here a rich, gilt fra\be stnt:es Its ugly cmptlne!;S at' the visitor, with the.name of Ghirlanda- 1o atlll banging at Its basff, or ther~. in I 'the S!)la d! I;lottl~elli, bere!t of Its Birth · ot Venu.,s. and of .the Aqorati<Jn of the \M11,gl, the spaces· li!ft ·bli their ~emoval , being covered by Flemish tapestriea ·' ·which bldt> the.· walls, but cannot ~up press· • .anse .of loss of the sweet splendor 'll'hlcb dwelt there, In ;th~ Sala di ~o ~ilrdo o)le feels even moro touchingly the glory that hils Q.eparted,. in the wide, :mea.nlli!l\iess wall spaces now Irreg-ularly. framed · bY Pollajuolo's rather cold figures . · or :S:ope, 'Temperance,. Faith, and Justice. The M'ill!eo Na>:ionale though housed iil. .the more militarily Imposing· building of · itljfi. Bargello has been obliged to move niany ot its illustrious. guests. Some of the lJ.Pper i'oQJUs have t)le appearance ()~;: .. lloVing :been Pb,mdered by sallie speclaliat 'Who had eyes only for his favotite ilrie ot .objets <l'l;<rt, by I!OiXIe strang~ robber who took; e.yery r;ero, intlliouo, and piece illl' oalollca- tram -tl:!t llhdtf M•e• ll.nd <llll ' .· li othPr end of the city, the changes ma(le . lf thn~ the Madonnas seem a little; Leach, l}~llss :Marlo.n Tilden Burritt, Dr,·. are Immediately \flbvklus. The Domed· lo~s ot Heaven \l:le\ bectmle .<iloser to us '!4argarlta; Stewart, Miss· 'Hen'rlette Ken· · R 1 . . · · 1 · ' · • h · 1 ... E hp,u~. Mlss EmllUL .T. C.rr, MlU· :S:ttltla oom, a ways deptessm~; In It~ arch!· ))y ~elr ma~!l9}1~ um~!l ...,.. V!)n Geist M:iss Carrie Wise MUs Trally MY· tectnre, ls even. more so to-day w th~ lm- those not agreea,blfl types of the ·Duke of ga~t. 'and Miss Laura Hu~ee. · pression of disorder which it give~. A 'C'rbi~o and ltls Duchess, by Piero della The New York delegates will go to. ;:· ID Face of High C•st of Uvillg ARMOUR Keeps ' . Faith Wltlt· ·conslinters! -~DAY, with, the -cost of ¥ving hjgber than .l most.of us have·ever known it, the ,,licy of a ,qoncem - of Armour•s itnportartoe in the tOod wo:dd becomes .a matter of national interest. And rightly so. It is expedient, therefOre, ·that to jucht~ With ttue American. fairness, people •hoald know the fact• abo~t '41hat Annoar i• loinr for them. Too often, lleretofore, has judgn1ent been passed on a basis ·of only half-truths. · To a tnit~ knowled1e of the situation, it ls nece•· eary· to firSt realize that Aonour is not a producer of raw mo:tnial1. Armw~s sole interest in such pro· duction is to help the Farmer make ir ,reoter. The real work of Ahnour is to •cientilically pre. pare and efFiciently mar/ret the· ·liiJ.~onal yield. Rightly dOne, the result spella true economy to every American family. . On even the tnoet superflci!ll crinsideratlon, it be· comer. obvioua th~t the CQ!It to Armour of doini thil!i worlt. must be pro;ctically without cha,..e. And thia is ao. True, certain ~ctors, such as reduced pro4uctl.on, higher .labor costs; etc., do affect tbese preparation and mark!iiting charges somewha1, lmt n .. in proportion to ~.fiuct;Uatm~~: -market pnces cwsed })y varying production. How..amall ie. the profit that Armour receitres for- perf'orminl this valuable ~c!SJ!ai'Y work tnaYl:Je real~ ized when-you consider that the .amount retaineil by thi• orwariization i• ilpP,ri!:itimately • but' three cent- on e\ry Jollo:r'• wortli of ~cum••• done cluril!ft the year! . And thia prol1't lia. not. increa~~etl with the incretl•ecl price~ oF l~ocl•! ' The actual fact of the matter is that; ~ince Armour in no way produces o,r contr6l~ production of raw· iz1,aterials, · Afmour · c:anriot influ~ce priees. Price• t~r• ·t,he Jir•ct reault of t-,.t!# Inexorable LatlJ o,. S,appl;y and Demantl. · This is not a statement Qltheory. It is a FACT. Today• ~f prir:•• prooe it. Annwr'ai!II!Uinl pricea on dressed beef .carcas5es ~e, today, .LESS 1l'iilri the}'\ were two yeats a&o. .For our fiscal. year 1913-14, Armour's averace aellin~ ptice of bee£ per bur:;~dredwei&1!t Willi $11.~8; for our a&cal Y,ear 1915-.lG~ it i• but . $1l.8(!. The rea.Qn is tl:ult f,e.F prottuctiott durin; tliil period h~ /tept Pf!.c;e .with Jem,QIIJ. \ . And hefe it is highly ~i~t to note that, for manY yeatt, the yrices paulby Atn'10ur to the pro- ducer [Qr eoery kind. of me~t have borne a eontin~ ·01llly evc!i relation to the pric~ char•cJ by Armour fOr the meat ~ftel\ it bar. been prepared, The rafi• between the· two figures bas hardly variecL · When ·tht:~ fanners'. cost of producing meat hq •one down. Armour'!! pticesli/cewnelmv~ dropped. And nev.r, .unless Fmmet•'· pJ.icee have increaled, bave AmiOiir'• pr.icea gone up. . Y<i!!t, even when production costs advance, Armour's ~ do !lot alway• adV.nc~ in pJ'Opor• tion. Ri&ht at the presen1: thne, Attno!U' Is payjor; oCier 21'1. ~,ore for hoes thl.l'i in 1914. But Am.lour's .. aelling,prk;:e for por~ lqins (a bar~ter on other cuts· of pork), &bows an advanc«~ or Ia• thara .JO%. ~l.lch ~tances, of couree,. are due to !lcientific utiliZation of by .. proditcts-another me~s l;)y Which Armour ·help• lc,:p. (oo4 prit:•• C¥t true-flala• leuet. lor you. · -' ARMOUR~· uco'MPANY ~ . . ~· t7 ' . . \ CHICAGO \· / ' ' ~~ 71 £lf!fl !Jj 0~ . ·· orfan~.) IlL...., i ef:rilce ,, · 4 \'· · • .lf,:fiPr ~ • .;·· T.he Gorham idea of Service is em- braced in the three, words; Varlet)'~ Quality, and V.atue-a variety so lib- ,. eral as to Insure ·your :finding what .J~,? d /l'r you want- a Quality so depen able i as . to make you satisfied With what ( _,.f you buy--and a Value :so substantial ·Wif. as to justify what you· spend. . · l 1 ~ · .. 'i The Gorham selections of·fin~sllver· /~' ware are theJargest on the.Atnertc,an )' , conJ)nent, and·lt is impossible to buy any\vhere silverware more arttstlcally deSigned, morebeautifully:made,more dependably pn~ed, or silverware . whlchenjoys anythmglJkeltsp~tl~ / and reputation:: among '5Ub~t-· ,~, Aur-..t--.1. ~ . . \!f.;' - ., ' .••.•. li' • ~ . , 'I'I.WCIIUDOI(i' , , , . ,.: ~ • .,.., ~,. ,.,.<ilt:.t , , , • ~r :. ' ' . {' . ·.\ ~ur;nm~:'·' '~ and Golrbmi1h8 J.. . . ·. '. ~ . FIFTH AVE~ &·~th .. \ 1M9\ M~lDEN.~N&~' [·C HEAVY SCOTCfl AXMINS!£R . RU,GS. ~- • • Practical, DaraMe, 'Atfilflrc' l;!!(On&mic!il , . ~- .. -' . 'T\HESE soft, thick Rugs are·iileatfJooN:o¥.' 1 erlnp 1or'bQtb private and public l'()Oma:: · w~ cut them Jiqm la'le theea-.n;r.:·de.ired. -or shape for ~ato use. . . C1111i~ in. ·~ock in our own ~'lhl.aiite •ik• of 'black, blue,. green, r~d. brown, .taupe..,and · camel. • I KENT -COSTIKYAN TRADING CO. lNC, 485 FIFfH AVENUE, NEW YORK OPPOSITE. .PUBLlC LIBRARY ........... ... '' '• ,}\ .. ; .: ..1